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British mining executives held in Mali freed after $160m deal to settle tax dispute
Thu, 21 Nov 2024 12:35:28 GMT
Resolute Mining chief executive Terence Holohan and two employees had been held since 9 November
Three British mining executives who had been detained by the government of Mali have been released and are “safe and well”, days after agreeing to pay $160m to settle a tax dispute.
Resolute Mining, an Australian company, said on Thursday its chief executive, Terence Holohan, and two other employees, who had been held in the country since 9 November, have been freed.
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Imagine a world in which you can do transactions and many other things without having to give your personal information. A world in which you don’t need to rely on banks or governments anymore. Sounds amazing, right? That’s exactly what blockchain technology allows us to do.
It’s like your computer’s hard drive. blockchain is a technology that lets you store data in digital blocks, which are connected together like links in a chain.
Blockchain technology was originally invented in 1991 by two mathematicians, Stuart Haber and W. Scot Stornetta. They first proposed the system to ensure that timestamps could not be tampered with.
A few years later, in 1998, software developer Nick Szabo proposed using a similar kind of technology to secure a digital payments system he called “Bit Gold.” However, this innovation was not adopted until Satoshi Nakamoto claimed to have invented the first Blockchain and Bitcoin.
A blockchain is a distributed database shared between the nodes of a computer network. It saves information in digital format. Many people first heard of blockchain technology when they started to look up information about bitcoin.
Blockchain is used in cryptocurrency systems to ensure secure, decentralized records of transactions.
Blockchain allowed people to guarantee the fidelity and security of a record of data without the need for a third party to ensure accuracy.
To understand how a blockchain works, Consider these basic steps:
Let’s get to know more about the blockchain.
Blockchain records digital information and distributes it across the network without changing it. The information is distributed among many users and stored in an immutable, permanent ledger that can't be changed or destroyed. That's why blockchain is also called "Distributed Ledger Technology" or DLT.
Here’s how it works:
And that’s the beauty of it! The process may seem complicated, but it’s done in minutes with modern technology. And because technology is advancing rapidly, I expect things to move even more quickly than ever.
Even though blockchain is integral to cryptocurrency, it has other applications. For example, blockchain can be used for storing reliable data about transactions. Many people confuse blockchain with cryptocurrencies like bitcoin and ethereum.
Blockchain already being adopted by some big-name companies, such as Walmart, AIG, Siemens, Pfizer, and Unilever. For example, IBM's Food Trust uses blockchain to track food's journey before reaching its final destination.
Although some of you may consider this practice excessive, food suppliers and manufacturers adhere to the policy of tracing their products because bacteria such as E. coli and Salmonella have been found in packaged foods. In addition, there have been isolated cases where dangerous allergens such as peanuts have accidentally been introduced into certain products.
Tracing and identifying the sources of an outbreak is a challenging task that can take months or years. Thanks to the Blockchain, however, companies now know exactly where their food has been—so they can trace its location and prevent future outbreaks.
Blockchain technology allows systems to react much faster in the event of a hazard. It also has many other uses in the modern world.
Blockchain technology is safe, even if it’s public. People can access the technology using an internet connection.
Have you ever been in a situation where you had all your data stored at one place and that one secure place got compromised? Wouldn't it be great if there was a way to prevent your data from leaking out even when the security of your storage systems is compromised?
Blockchain technology provides a way of avoiding this situation by using multiple computers at different locations to store information about transactions. If one computer experiences problems with a transaction, it will not affect the other nodes.
Instead, other nodes will use the correct information to cross-reference your incorrect node. This is called “Decentralization,” meaning all the information is stored in multiple places.
Blockchain guarantees your data's authenticity—not just its accuracy, but also its irreversibility. It can also be used to store data that are difficult to register, like legal contracts, state identifications, or a company's product inventory.
Blockchain has many advantages and disadvantages.
I’ll answer the most frequently asked questions about blockchain in this section.
Blockchain is not a cryptocurrency but a technology that makes cryptocurrencies possible. It's a digital ledger that records every transaction seamlessly.
Yes, blockchain can be theoretically hacked, but it is a complicated task to be achieved. A network of users constantly reviews it, which makes hacking the blockchain difficult.
Coinbase Global is currently the biggest blockchain company in the world. The company runs a commendable infrastructure, services, and technology for the digital currency economy.
Blockchain is a decentralized technology. It’s a chain of distributed ledgers connected with nodes. Each node can be any electronic device. Thus, one owns blockhain.
Bitcoin is a cryptocurrency, which is powered by Blockchain technology while Blockchain is a distributed ledger of cryptocurrency
Generally a database is a collection of data which can be stored and organized using a database management system. The people who have access to the database can view or edit the information stored there. The client-server network architecture is used to implement databases. whereas a blockchain is a growing list of records, called blocks, stored in a distributed system. Each block contains a cryptographic hash of the previous block, timestamp and transaction information. Modification of data is not allowed due to the design of the blockchain. The technology allows decentralized control and eliminates risks of data modification by other parties.
Blockchain has a wide spectrum of applications and, over the next 5-10 years, we will likely see it being integrated into all sorts of industries. From finance to healthcare, blockchain could revolutionize the way we store and share data. Although there is some hesitation to adopt blockchain systems right now, that won't be the case in 2022-2023 (and even less so in 2026). Once people become more comfortable with the technology and understand how it can work for them, owners, CEOs and entrepreneurs alike will be quick to leverage blockchain technology for their own gain. Hope you like this article if you have any question let me know in the comments section
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Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
Silicon Valley has successfully rebranded military contracting as a proud national duty for the industry.
The post Trump’s Election Is Also a Win for Tech’s Right-Wing “Warrior Class” appeared first on The Intercept.
In the rapidly advancing landscape of AI technology and innovation, LimeWire emerges as a unique platform in the realm of generative AI tools. This platform not only stands out from the multitude of existing AI tools but also brings a fresh approach to content generation. LimeWire not only empowers users to create AI content but also provides creators with creative ways to share and monetize their creations.
As we explore LimeWire, our aim is to uncover its features, benefits for creators, and the exciting possibilities it offers for AI content generation. This platform presents an opportunity for users to harness the power of AI in image creation, all while enjoying the advantages of a free and accessible service.
Let's unravel the distinctive features that set LimeWire apart in the dynamic landscape of AI-powered tools, understanding how creators can leverage its capabilities to craft unique and engaging AI-generated images.
This revamped LimeWire invites users to register and unleash their creativity by crafting original AI content, which can then be shared and showcased on the LimeWire Studio. Notably, even acclaimed artists and musicians, such as Deadmau5, Soulja Boy, and Sean Kingston, have embraced this platform to publish their content in the form of NFT music, videos, and images.
Beyond providing a space for content creation and sharing, LimeWire introduces monetization models to empower users to earn revenue from their creations. This includes avenues such as earning ad revenue and participating in the burgeoning market of Non-Fungible Tokens (NFTs). As we delve further, we'll explore these monetization strategies in more detail to provide a comprehensive understanding of LimeWire's innovative approach to content creation and distribution.
LimeWire Studio welcomes content creators into its fold, providing a space to craft personalized AI-focused content for sharing with fans and followers. Within this creative hub, every piece of content generated becomes not just a creation but a unique asset—ownable and tradable. Fans have the opportunity to subscribe to creators' pages, immersing themselves in the creative journey and gaining ownership of digital collectibles that hold tradeable value within the LimeWire community. Notably, creators earn a 2.5% royalty each time their content is traded, adding a rewarding element to the creative process.
The platform's flexibility is evident in its content publication options. Creators can choose to share their work freely with the public or opt for a premium subscription model, granting exclusive access to specialized content for subscribers.
As of the present moment, LimeWire focuses on AI Image Generation, offering a spectrum of creative possibilities to its user base. The platform, however, has ambitious plans on the horizon, aiming to broaden its offerings by introducing AI music and video generation tools in the near future. This strategic expansion promises creators even more avenues for expression and engagement with their audience, positioning LimeWire Studio as a dynamic and evolving platform within the realm of AI-powered content creation.
The LimeWire AI image generation tool presents a versatile platform for both the creation and editing of images. Supporting advanced models such as Stable Diffusion 2.1, Stable Diffusion XL, and DALL-E 2, LimeWire offers a sophisticated toolkit for users to delve into the realm of generative AI art.
Much like other tools in the generative AI landscape, LimeWire provides a range of options catering to various levels of complexity in image creation. Users can initiate the creative process with prompts as simple as a few words or opt for more intricate instructions, tailoring the output to their artistic vision.
What sets LimeWire apart is its seamless integration of different AI models and design styles. Users have the flexibility to effortlessly switch between various AI models, exploring diverse design styles such as cinematic, digital art, pixel art, anime, analog film, and more. Each style imparts a distinctive visual identity to the generated AI art, enabling users to explore a broad spectrum of creative possibilities.
The platform also offers additional features, including samplers, allowing users to fine-tune the quality and detail levels of their creations. Customization options and prompt guidance further enhance the user experience, providing a user-friendly interface for both novice and experienced creators.
Excitingly, LimeWire is actively developing its proprietary AI model, signaling ongoing innovation and enhancements to its image generation capabilities. This upcoming addition holds the promise of further expanding the creative horizons for LimeWire users, making it an evolving and dynamic platform within the landscape of AI-driven art and image creation.
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Upon completing your creative endeavor on LimeWire, the platform allows you the option to publish your content. An intriguing feature follows this step: LimeWire automates the process of minting your creation as a Non-Fungible Token (NFT), utilizing either the Polygon or Algorand blockchain. This transformative step imbues your artwork with a unique digital signature, securing its authenticity and ownership in the decentralized realm.
Creators on LimeWire hold the power to decide the accessibility of their NFT creations. By opting for a public release, the content becomes discoverable by anyone, fostering a space for engagement and interaction. Furthermore, this choice opens the avenue for enthusiasts to trade the NFTs, adding a layer of community involvement to the artistic journey.
Alternatively, LimeWire acknowledges the importance of exclusivity. Creators can choose to share their posts exclusively with their premium subscribers. In doing so, the content remains a special offering solely for dedicated fans, creating an intimate and personalized experience within the LimeWire community. This flexibility in sharing options emphasizes LimeWire's commitment to empowering creators with choices in how they connect with their audience and distribute their digital creations.
After creating your content, you can choose to publish the content. It will automatically mint your creation as an NFT on the Polygon or Algorand blockchain. You can also choose whether to make it public or subscriber-only.
If you make it public, anyone can discover your content and even trade the NFTs. If you choose to share the post only with your premium subscribers, it will be exclusive only to your fans.
Additionally, you can earn ad revenue from your content creations as well.
When you publish content on LimeWire, you will receive 70% of all ad revenue from other users who view your images, music, and videos on the platform.
This revenue model will be much more beneficial to designers. You can experiment with the AI image and content generation tools and share your creations while earning a small income on the side.
The revenue you earn from your creations will come in the form of LMWR tokens, LimeWire’s own cryptocurrency.
Your earnings will be paid every month in LMWR, which you can then trade on many popular crypto exchange platforms like Kraken, ByBit, and UniSwap.
You can also use your LMWR tokens to pay for prompts when using LimeWire generative AI tools.
You can sign up to LimeWire to use its AI tools for free. You will receive 10 credits to use and generate up to 20 AI images per day. You will also receive 50% of the ad revenue share. However, you will get more benefits with premium plans.
For $9.99 per month, you will get 1,000 credits per month, up to 2 ,000 image generations, early access to new AI models, and 50% ad revenue share
For $29 per month, you will get 3750 credits per month, up to 7500 image generations, early access to new AI models, and 60% ad revenue share
For $49 per month, you will get 5,000 credits per month, up to 10,000 image generations, early access to new AI models, and 70% ad revenue share
For $99 per month, you will get 11,250 credits per month, up to 2 2,500 image generations, early access to new AI models, and 70% ad revenue share
With all premium plans, you will receive a Pro profile badge, full creation history, faster image generation, and no ads.
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In conclusion, LimeWire emerges as a democratizing force in the creative landscape, providing an inclusive platform where anyone can unleash their artistic potential and effortlessly share their work. With the integration of AI, LimeWire eliminates traditional barriers, empowering designers, musicians, and artists to publish their creations and earn revenue with just a few clicks.
The ongoing commitment of LimeWire to innovation is evident in its plans to enhance generative AI tools with new features and models. The upcoming expansion to include music and video generation tools holds the promise of unlocking even more possibilities for creators. It sparks anticipation about the diverse and innovative ways in which artists will leverage these tools to produce and publish their own unique creations.
For those eager to explore, LimeWire's AI tools are readily accessible for free, providing an opportunity to experiment and delve into the world of generative art. As LimeWire continues to evolve, creators are encouraged to stay tuned for the launch of its forthcoming AI music and video generation tools, promising a future brimming with creative potential and endless artistic exploration
The American director on the 20-year project he is just beginning, how hitmen don’t exist in real life and why his career would not be possible today
The American director Richard Linklater has one of the great, eclectic film-making CVs: from classics such as Dazed and Confused to School of Rock, Before Sunrise to Boyhood, which was filmed with the same cast over 12 years. That versatility is seen again in his latest movie, Hit Man, released earlier this year to critical and audience acclaim and now on Netflix. A rare foray for him into the comedy-thriller genre, it tells the trueish story of a nondescript college professor (an excellent Glen Powell) who has a side hustle as an undercover operative for the New Orleans police, pretending to be different hitmen in order to illicit arrests. Next year he releases Nouvelle Vague, shot entirely in French. Linklater is 64 and lives in Austin, Texas.
There’s a line early on in your latest film: “Hitmen don’t really exist.” You mean that they are, essentially, an invention of Hollywood films. Were you surprised by this fact?
No, I’m completely amused and thrilled by it. I’ve known this for 25-plus years: hitmen are like snuff films, they don’t really exist. There’s not one record of a hitman being arrested. This is a myth, but one people believe so thoroughly because of pop culture – movies and TV mostly. [A hitman] is just a great character and we love the idea of them too much – even though shouldn’t we be relieved that there aren’t any?
Stabbings and car rammings raise fears that China’s strained social safety net is leading to growing violence
China is grappling with a spate of violent rampages that have left dozens of people dead, sparking a conversation about whether “revenge against society” attacks are becoming more common.
On 19 November, a 39-year-old man drove a car into a group of people near a school in Changde, a city in central China, injuring several students. Days earlier, another car-ramming attack in the southern city of Zhuhai had killed 35 people outside a sports centre, China’s deadliest mass killing in a decade. That same week, a former student in another city stabbed to death eight people and injured 17 others at a vocational college.
Continue reading...The fights over Gaza protests are playing out online, in campus quads, internal disciplinary proceedings, and in the courts.
The post From Campus to the Courts, the “Palestine Exception” Rules University Crackdowns appeared first on The Intercept.
The PRESS Act, a federal reporter shield bill, already passed the House unanimously. Trump wants it dead.
The post Congress Could Protect Journalists From Surveillance. Trump Is Lobbying to Stop Them appeared first on The Intercept.
The U.S. has a long tradition of shielding Israel (and itself) from war crime allegations — and threatening The Hague.
The post War Crimes Have Never Stopped the U.S. Before appeared first on The Intercept.
The fights over Gaza protests are playing out online, in campus quads, internal disciplinary proceedings, and in the courts.
The post From Campus to the Courts, the “Palestine Exception” Rules University Crackdowns appeared first on The Intercept.
The Intercept’s lawsuit argues that the Digital Millennium Copyright Act prevents OpenAI from stripping a story’s title or byline.
The post The Intercept’s Lawsuit Against OpenAI Advances on Claim It Removed Reporters’ Bylines appeared first on The Intercept.
Rep. Summer Lee, D-Pa., discusses Biden’s lame-duck session and erecting barriers to Trump’s agenda on The Intercept Briefing podcast.
The post Rep. Summer Lee on the Fight of Our Lives appeared first on The Intercept.
Democratic support for the bill dwindled as critics warned it would let Donald Trump crack down on political foes.
The post The House Just Blessed Trump’s Authoritarian Playbook by Passing Nonprofit-Killer Bill appeared first on The Intercept.
Sanders’s resolutions to block arms sales to Israel gained momentum, but ran headlong into White House opposition.
The post Bernie Sanders Lost Vote to Block Arms for Israel, Says U.S. Is “Funding the Starvation of Children in Gaza” appeared first on The Intercept.
A joint resolution from Sen. Bernie Sanders would block arms sales to Israel. The challenge is convincing Democrats to act.
The post Senators Have a Chance to Halt Weapons Sales to Israel. Will They Take It? appeared first on The Intercept.
Nine health care workers at UCSF report censorship or punishment for speaking out about human rights for Palestinians — or simply wearing a pin.
The post San Francisco’s Biggest Hospital System: Don’t Talk About Palestine appeared first on The Intercept.
Democrats are in disarray. It’s time to name our enemies and assert our demands to build a party that can win.
The post Take Out the Trash: A Proposal to Clean Up the Democratic Party appeared first on The Intercept.
Trump’s pick for attorney general shows that loyalty is the only qualification that matters.
The post Matt Gaetz Is Barely a Lawyer appeared first on The Intercept.
Silicon Valley has successfully rebranded military contracting as a proud national duty for the industry.
The post Trump’s Election Is Also a Win for Tech’s Right-Wing “Warrior Class” appeared first on The Intercept.
Dozens of Democrats still support the bill — giving the Republican-controlled House plenty of breathing room to pass it next week.
The post House GOP Moves to Ram Through Bill That Gives Trump Unilateral Power to Kill Nonprofits appeared first on The Intercept.
ESA and Thales Alenia Space have signed a contract amendment today at the International Astronautical Congress in Milan to extend the Lunar View refuelling module for the lunar Gateway.
The New Forest is a haven for cycling – and whizzing through the trees on an e-bike leaves more time for ice cream and cake breaks
‘No one,” says Clare, grinning broadly and handing me a cycle helmet, “comes back sweating from one of our rides.” Looking at the Super Monkey I’m about to clamber on to – a gleaming black machine, modelled rather like a Chopper bike from the 1970s, only with triple-width tyres and the (all-important) powerbox attached to the main stem – I can believe it. Synch ebikes, available to rent from Clare and Lisa at Jaunt-E Bikes, are the last word in effort-free cycling, and the best way to delve into the depths of the New Forest.
It’s a grey, drizzly morning when I set off from my Brockenhurst bolthole, Cottage Lodge, cycling gingerly up the busy A337 before turning down a gravel track into the forest. At first the bike feels a bit like being on a horse – raring to go every time I put my foot down – but I soon get used to it, whizzing happily past runners and analogue cyclists, the wide, “comfort” saddle shielding me from the worst of the uneven, gravelly track. Within minutes, I’m immersed in the forest; waves of ferns rippling out beneath towering oak and beech trees.
Continue reading...Love, death, grief, power, revenge: Greek tragedies get to the essence of the human experience. Here, writers and artists select their favourite plays, music and films inspired by the classics, from The Hunger Games to a Santana hit
Greek myth is not a stable thing. There is no such thing as a canonical, “original” version of a Greek myth. The stories that remain to us – the material of classical plays and poetry, and of visual culture from pottery to pediments – are already elaborations and accretions. In the ancient Greek and Roman world, stories were adapted and remade to serve the needs of the moment. The Greek tragedians often took the germ of an idea from the Homeric epics, and built an entire plot from it. Aeschylus’s Agamemnon, for instance, is in dialogue with Homer’s Odyssey: both are stories of a warrior’s return from war, but with entirely different outcomes. Euripides’s subversive play Helen proposes that the entire Trojan war was fought not in the cause of a real woman, but of an illusory, fake version sent by the gods, while the “real” Helen of Troy sat out the siege in Egypt.
Seen in this light, as novelist Pat Barker points out below, the modern appetite for working with (and maybe sometimes against) Greek myth is a part of a long continuum, rather than an innovation. Sometimes stories retold in the modern, or early modern, era have taken remarkably circuitous routes: Barker’s choice, Shakespeare’s Troilus and Cressida, a love story from the Trojan war, came to the playwright not directly from a classical source, but indirectly through a winding lineage including Chaucer and Boccaccio that substantially transforms the story in the process. The artist Chris Ofili, who illustrated my book Greek Myths: A New Retelling, is one of the most mesmerising “retellers” of classical mythology. His deep artistic engagement with this world of stories began for him with Ovid’s epic poem about mythical transformations, Metamorphoses, more than a decade ago. Emily Wilson’s translation of Homer’s Odyssey has also been important for him. But his paintings and drawings are, at the same time, deeply personal, infused with the landscapes and stories of the Caribbean, where he lives and works. Greek myths can travel endlessly through cultures, time and space. Kamila Shamsie’s novel Home Fire, set in modern Britain, Islamic State-controlled Syria and Pakistan, is a reworking of Sophocles’s tragedy, Antigone. Constantine Cavafy – the great Greek poet who lived in Alexandria, Liverpool and Constantinople – infused Homer with his restless spirit in his great poem Ithaka, which is chosen by Stephen Fry, below.
Continue reading...Lithuanian tourist pack rafting on Franklin River still fighting for life in Tasmanian hospital
A 69-year-old Lithuanian man has been praised for his “extraordinary resilience” after emergency service workers were forced to amputate his leg during a 20-hour rescue operation in remote south-west Tasmania.
The man, who remained in a critical condition in Royal Hobart hospital on Sunday evening, had been travelling with a group of 11 tourists on a multi-day rafting trip on the remote Franklin River.
Continue reading...In 1900, there were 600 Turkish baths in Britain and Ireland. Today, only a handful survive. We enjoy a revived hammam in Newcastle and take a look at 10 more around the country
My sister and I are lying on slabs like flounders in a fishmonger’s. Instead of a bed of ice, though, we’re stretched out on heated marble. We move between three hot rooms, each resembling little chapels with vaulted ceilings, chatting quietly in the cooler one, applying face and hair masks in the middle one, and simply lying still, sweating, in the hottest one. Later, we will be scrubbed and massaged. In between, we cool off under a rain-mist shower, or retire to a bed in our own private mahogany-panelled booth beneath a glazed dome.
It sounds like a luxury spa, with prices to match. In fact, we’re at a century-old public bathhouse. The City Baths in Newcastle reopened in April after an £8m restoration – and a decade-long campaign. A two‑hour Turkish bath session here costs about £20, which includes a swim in the pool upstairs.
Continue reading...Party figures have voiced concerns that next month’s visit will be dominated by the PM seeking investment
Keir Starmer is being urged to speak up for human rights and push for cooperation over a Middle East peace deal when he travels to Saudi Arabia next month, amid concerns on Labour’s left that his efforts to attract investment will dominate the trip.
The prime minister’s visit is seen as his latest attempt to secure the inward investment necessary for the economic growth that is the central aim of his government. It is expected that Crown Prince Mohammed bin Salman, Saudi Arabia’s de facto leader, will also visit London next year.
Continue reading...Civic pride meets glorious cooking at a remarkably fair price
The Martlet, Rochdale Town Hall, OL16 1AZ. Lunch plates £10; main courses £14 – £21; desserts £5; afternoon tea £21. Evening menu: three courses £35. Wines from £22 a bottle
It’s easy to imagine the ways by which the Martlet in Rochdale could have gone so very wrong; how the perceived demands of civic responsibility and the innate grinding conservatism of bureaucracy could have resulted in a dull, mediocre offering for the town. It wouldn’t even have been worth rolling your eyes at. It would have been understandable. The Martlet is a new restaurant inside Rochdale’s magnificent Town Hall. Since 2021, the building has undergone an equally magnificent restoration, to bring this slab of Victorian gothic revival by William Henry Crossland, into a golden, glowing focus. There is finely chiselled stonework, stained-glass windows and wood-panelled chambers with intricate foliage-strewn wall coverings recalling the work of William Morris. Ceiling panels are decorated with branch and leaf, upon which perch fully plumed peacocks and illustrations of the martlet, a mythical bird that was forever on the wing. Whatever you do, make time to drift slack-jawed through these chambers. Perhaps while wearing a pale, lace-fringed linen smock dress and kohl eyeliner. I could rock that look.
Continue reading...Once frozen out by the New Labour elite, John Prescott fought his way in from the cold to become a loyal deputy leader. Toby Helm recalls a bruising political career
It was normally Friday evening when he would ring. There was never a “hello, how are you?” or any pleasantry like that. He just dived straight in. “What you up to for Sunday?” he would ask, meaning he had a story for me. Normally the call would come from his car phone on the A1 while he was driving to his Hull constituency. He tended to travel alone, so business could be transacted in total secrecy.
Once – it must have been 1994, after John Smith had died and Tony Blair had become leader – I remember he suddenly broke off and roared some expletives mid-conversation which made me almost drop the phone. “What the hell was that about, I asked?” “Ohhh … Just some fucking moderniser overtaking on the inside lane,” he replied. “Bloody Mendelson [he would always deliberately mispronounce the name Mandelson, sometimes calling him Meddlesome] or someone.”
Continue reading...Series against familiar foes New Zealand, where they haven’t won 16 years, is taster for even bigger challenges ahead for England
The way the cricket calendar is carved up sounds a bit absurd; a kind of speed-dating event for the chief executives and chairs of the full-member nations that is hosted every four years by the International Cricket Council. Not that the ICC – more events company than governing body – gets involved. Its officials apparently have to leave the room before the bigwigs start schmoozing at the tables and operations types plumb the fixtures into their spreadsheets.
The men’s future tours programme emerged from one of these opaque lock-ins in 2022 and even at the time England’s winter of 2024-25 stuck out as slightly unimaginative. Test tours of Pakistan and New Zealand were scheduled for the second winter in two years, the latter for the third time in five. This despite England’s entire four-year block featuring no Tests in Sri Lanka or the West Indies and the gap between Tests in South Africa – a third favourite of their travelling supporters – set to be seven years when they return in late 2026.
Continue reading...On assignment in South Sudan, the Croatian photographer used a natural framing device for this award-winning image
Before he arrived for his three-day stay, Jurica Galić knew that the South Sudanese Mundari people set fire to dried cow dung before sunset to repel mosquitoes. What the Croatian photographer and travel journalist didn’t know was the depth of harmony between the tribe and their cattle, nor how he would capture it.
“Ankole are breeds of domestic cattle originating from east and central Africa, characterised by their huge horns,” Galić says. “My goal was to capture the relationship between man and nature, and while staying in the camp I came up with the idea of taking some photos through the horns of one of the animals. They became the frame, leading the viewer to the scene. Meanwhile, the smoke rising, in combination with the setting sun and the remaining rays, created the most magical backdrop.”
Continue reading...We recommended them in the Filter; now we’ve sifted through all the offers to find the genuinely good discounts on our favourite products
Black Friday is still a few days away on 29 November, but stores are already dropping prices to compete for our attention and cash – and they’re offering some delectable discounts on products we’ve recommended in the Filter.
We cautioned against getting carried away too early in our guide to not getting ripped off in the sales, because many prices continue to fall until Cyber Monday (2 December). However, some of the most popular items can sell out even before Black Friday comes around. So, if there’s something here you’ve had your eye on, this may be your best chance to grab it for significantly less than you’d normally pay.
Continue reading...The U.S. has a long tradition of shielding Israel (and itself) from war crime allegations — and threatening The Hague.
The post War Crimes Have Never Stopped the U.S. Before appeared first on The Intercept.
Nine health care workers at UCSF report censorship or punishment for speaking out about human rights for Palestinians — or simply wearing a pin.
The post San Francisco’s Biggest Hospital System: Don’t Talk About Palestine appeared first on The Intercept.
From biking adventures to city breaks, get inspiration for your next break – whether in the UK or further afield – with twice-weekly emails from the Guardian’s travel editors. You’ll also receive handpicked offers from Guardian Holidays.
From biking adventures to city breaks, get inspiration for your next break – whether in the UK or further afield – with twice-weekly emails from the Guardian’s travel editors.
You’ll also receive handpicked offers from Guardian Holidays.
Continue reading...The WWE icon, already one of Hollywood’s highest-paid film stars, has shown himself to be ‘focus group-proof’
It’s proving to be a busy period for Dwayne “The Rock” Johnson, sometime WWE professional wrestler and Hollywood film star. Well, another one. Red One, a Christmas-themed action movie (Johnson plays Santa Claus’s bodyguard), was released earlier this month. The Disney animation, Moana 2 (for which he voices the tattooed demigod Maui) is about to be released. He is also in the process of filming the new live-action version of Moana, and embarking on another Disney movie, Monster Jam.
If anyone is surprised by Johnson’s repeated donning of the cinematic mouse ears, or by his general presence in children’s films, they shouldn’t be. While he is probably still best known for the Fast & Furious film franchise, and other flexes of his big-screen muscle, he has long been a staple in family movies. With his reputed $50m fee for Red One, and with an estimated net worth of about $800m, he has become one of Hollywood’s highest paid stars. Johnson also made the Time magazine 100 list of influential people – not once but twice, in 2016 and 2019.
Continue reading...The American director on the 20-year project he is just beginning, how hitmen don’t exist in real life and why his career would not be possible today
The American director Richard Linklater has one of the great, eclectic film-making CVs: from classics such as Dazed and Confused to School of Rock, Before Sunrise to Boyhood, which was filmed with the same cast over 12 years. That versatility is seen again in his latest movie, Hit Man, released earlier this year to critical and audience acclaim and now on Netflix. A rare foray for him into the comedy-thriller genre, it tells the trueish story of a nondescript college professor (an excellent Glen Powell) who has a side hustle as an undercover operative for the New Orleans police, pretending to be different hitmen in order to illicit arrests. Next year he releases Nouvelle Vague, shot entirely in French. Linklater is 64 and lives in Austin, Texas.
There’s a line early on in your latest film: “Hitmen don’t really exist.” You mean that they are, essentially, an invention of Hollywood films. Were you surprised by this fact?
No, I’m completely amused and thrilled by it. I’ve known this for 25-plus years: hitmen are like snuff films, they don’t really exist. There’s not one record of a hitman being arrested. This is a myth, but one people believe so thoroughly because of pop culture – movies and TV mostly. [A hitman] is just a great character and we love the idea of them too much – even though shouldn’t we be relieved that there aren’t any?
One of Britain’s most prolific actors, Stephen Graham is the face of countless hard-to-forget TV and film characters, a regular Scorsese collaborator and good mates with Leo DiCaprio. He talks about living it up in Leicestershire – and why he’s in the shape of his life
Stephen Graham likes to quote that very famous saying in acting, “There are no small parts, only small actors” – though it has nothing to do with the fact that the 51-year-old stands a power-packed 5ft five-and-a-half inches. When in 2020 he set up his own production company, Matriarch Productions, after a storied career as one of our great character performers, he made it one of the company’s founding principles.
Graham established Matriarch with his wife, the actor Hannah Walters. Their first project was the 2021 film Boiling Point, which created history as the first British single-take movie. Graham won a Bafta nomination for his portrayal of head chef Andy Jones, whose life unravels in real time during one frenzied service in the kitchen. But he was determined that Boiling Point would be just as radical behind the camera, too. Typically on TV and film productions, each actor is assigned a cast number, which functions as an unspoken hierarchy of their importance on the set. Graham decided he didn’t want that.
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Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
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