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Trump Just Pardoned ... a Corporation?
Wed, 02 Apr 2025 12:21:52 +0000
In what may be an American first, President Donald Trump pardoned a company sentenced to $100 million in fines for breaking money laundering laws.
The post Trump Just Pardoned … a Corporation? appeared first on The Intercept.
Florida prosecutors say Michelle Taylor used gasoline to set a fire that killed her son. Top forensic chemists say they’re wrong.
The post The Arson Evidence Doesn’t Hold Up. Florida Is About to Convict Her for Murder Anyway. appeared first on The Intercept.
The Trump administration’s detention of Tufts student Rümeysa Öztürk rests on an opinion article she wrote in 2024, her lawyers said in a filing.
The post In Trump’s America, You Can Be Disappeared for Writing an Op-Ed appeared first on The Intercept.
US National Security Advisor Mike Waltz, who started the now-infamous group chat coordinating a US attack against the Yemen-based Houthis on March 15, is seemingly now suggesting that the secure messaging service Signal has security vulnerabilities.
"I didn’t see this loser in the group," Waltz told Fox News about Atlantic editor in chief Jeffrey Goldberg, whom Waltz invited to the chat. "Whether he did it deliberately or it happened in some other technical mean, is something we’re trying to figure out."
Waltz’s implication that Goldberg may have hacked his way in was followed by a ...
The law behind the warrants bars concealment of people in the country illegally, yet the students were legal residents living on campus.
The post ICE Got Warrants Under “False Pretenses,” Claims Columbia Student Targeted Over Gaza Protests appeared first on The Intercept.
Trump’s “Operation Aurora” swept up only one suspected gang member — but set the stage for a radical expansion of government power.
The post How a Landlord and a Florida PR Firm Helped Trump Kick Off the Tren de Aragua Gang Panic appeared first on The Intercept.
French president tells ministers that judges are independent and ‘all litigants have the right of appeal’
Emmanuel Macron has said the French judiciary is independent and must be protected as a judge was put under police guard after sentencing Marine Le Pen to an immediate ban from running for office.
Speaking on Wednesday, two days after the far-right leader’s conviction for the embezzlement of European parliament funds, the French president told ministers that “judges must be protected” and that “all litigants have the right to appeal.”
Continue reading...Richard Hermer has responded to Robert Jenrick’s calls for a senior judge to be sacked over sentencing guidelines row
Political attacks on judges are “dangerous” and “a huge threat to the rule of law and the independence of the judiciary”, the attorney general has said in a direct rebuke to the shadow justice secretary.
Richard Hermer said politics was entering a “dangerous moment” where politicians were “attacking judges on a personal basis” on the floor of the House of Commons.
Continue reading...This live blog is now closed
The French government expects President Trump’s tariffs to be in the range of between 20-25%, said government spokeswoman Sophie Primas on Wednesday.
“They risk being pretty powerful. People are speaking of tariffs between 20 and 25 percent,” Primas told reporters.
Continue reading...John Kelsey and I wrote a short paper for the Rossfest Festschrift: “Rational Astrologies and Security“:
There is another non-security way that designers can spend their security budget: on making their own lives easier. Many of these fall into the category of what has been called rational astrology. First identified by Randy Steve Waldman [Wal12], the term refers to something people treat as though it works, generally for social or institutional reasons, even when there’s little evidence that it works—and sometimes despite substantial evidence that it does not...
I have two degrees, two books to my name and I write for the Guardian. Yet I spent time in care, live at home and struggle for money. Can Karl Marx help me make sense of myself?
I have been obsessed with and confused by social class all my life. Both of my grandparents grew up in Liverpool in the 1930s in traditionally working-class households. They were clever and conscientious and managed to earn scholarships to university, eventually becoming teachers. My parents have university degrees and own property; one of them is now a judge. To most people, all these things place me squarely and categorically in the middle class. But I was in special educational schools from the age of nine, spent part of my childhood in care, left education altogether at 14 and collected the dole until getting my first job in a cotton mill. All these things make me a dyed-in-the-wool prole.
And yet I have two degrees, I have written two books and I freelance for the Guardian – you can’t get more insufferably bourgeois than that. At the same time, I am pushing 40 and living with my mum because I can’t afford to rent anything larger than a broom cupboard, so I feel as though I am in class limbo – fitting in with everyone and no one at the same time.
Continue reading...Watching the New Jersey senator hold court for 25 hours felt radical and cathartic
One of the problems beleaguering political opponents of Donald Trump has been finding a form of protest that, given the scale of his outrages, doesn’t seem entirely futile. You can parade outside a Tesla showroom. You can hold up dumb little signs during Trump’s address to Congress inscribed with slogans such as “This is not normal” and “Musk steals”. You can, as Democrats appear to have been doing since the election, play dead.
Alternatively, you can go for the ostentatious, performative gesture. On Monday evening, Cory Booker, the Democratic senator for New Jersey who carries himself like someone who’d have been happier in an era when men wore capes, started speaking on the floor of the Senate and carried on for 25 hours and five minutes, breaking the chamber’s record by almost 50 minutes and delivering – finally – a solid, usable symbol of rebellion.
Emma Brockes is a Guardian columnist
Continue reading...I accompanied one of the students who fled Trump’s crackdown. It gave me clarity on what’s at stake.
The post This Is Not About Antisemitism, Palestine, or Columbia. It’s Trump Dismantling the American Dream. appeared first on The Intercept.
“Do your job!” the crowd chanted, urging Rep. Victoria Spartz, one of the most outspoken DOGE supporters, to rein in Elon Musk.
The post GOP Leaders Said Don’t Do Town Halls. This Indiana Republican Did — and Got an Earful. appeared first on The Intercept.
DOGE claims it’s not an “agency” that has to comply with FOIA. We don’t buy it — and so far judges haven’t, either.
The post DOGE Keeps Trying to Dodge the Freedom of Information Act. So We’re Suing. appeared first on The Intercept.
Only drones can begin to capture the scale of destruction in the Gaza Strip. The journalists doing it were targeted again and again.
The post Israel Leveled Gaza — Then Killed the Drone Journalists Who Showed it to the World appeared first on The Intercept.
“We had positive ID of him walking into his girlfriend’s building and it’s now collapsed.”
The post The Real Outrage About the Yemen Signal Group Is That It Called for Attack on Civilian Home appeared first on The Intercept.
Despite years of official criticism of encrypted messaging, CIA Director John Ratcliffe revealed that Signal comes installed on agency computers.
The post U.S. Officials Called Signal a Tool for Terrorists and Criminals. Now They’re Using It. appeared first on The Intercept.
A Cornell student suing the Trump administration over free speech — and now facing deportation threats — shares his story on The Intercept Briefing.
The post Exclusive: As Trump Threatens to Deport Him, Momodou Taal Says It’s “Time to Escalate for Palestine” appeared first on The Intercept.
Charlotte Edwards has promised to make England’s players “more accountable for their fitness” as she seeks to improve the team’s fortunes after her appointment as women’s head coach.
The 45-year-old insisted that despite England women’s recent troubles against Australia they were capable of winning this year’s 50-over World Cup in India, saying she was “really confident we can turn things around very quickly”. Jon Lewis was sacked as coach last month after a miserable winter in which group-stage elimination at the T20 World Cup was followed by a 16-0 rout in the Ashes.
Continue reading...While other diet fads come and go, the ultra low carbohydrate Keto diet seems to endure. But as scientists begin to understand how the diet works, more is also being discovered about its risks. To find out more, Madeleine Finlay speaks to Javier Gonzalez, professor in the department of health at the University of Bath, with a special interest in personal nutrition. He explains how the diet works, what it could be doing to our bodies and what could really be behind the weight loss people experience while on it
Support the Guardian: theguardian.com/sciencepod
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Europe’s human spaceflight ambitions are reaching new heights, and ESA’s Astronaut Reserve is a key part of this journey. Selected in 2022, these talented individuals are undergoing Astronaut Reserve Training (ART) to ensure they are ready for future missions.
Among these remarkable women from across Europe are Meganne Christian, a materials scientist from the UK, Anthea Comellini, an aerospace engineer from Italy, and Carmen Possnig, a medical doctor from Austria, who recently completed their first ART training block at the European Astronaut Centre (EAC) in Cologne, Germany.
Their diverse scientific backgrounds reflect the wide-ranging expertise needed for human spaceflight, whether as part of ESA’s astronaut class, mission planners, or scientists shaping the future of space exploration. Beyond their work with ESA, they are also driving innovation, advancing research, and strengthening the broader space sector. Women play key roles across ESA and beyond, contributing as leaders and experts in these areas.
Meganne, Anthea and Carmen recently completed their first ART training block at the European Astronaut Centre (EAC) in Cologne, Germany. In this image, they are pictured inside a mockup of the Columbus module, Europe’s permanent laboratory on the International Space Station.
The training covered key areas such as human behaviour and performance to develop teamwork and decision-making skills in high-pressure environments. They also received physical fitness training, scuba certification in ESA’s Neutral Buoyancy Facility, and media training to effectively communicate the importance of space exploration to the public.
In addition to technical and operational skills, they explored fundamental science, including biology experiments conducted on the International Space Station. Their training also includes insights into space policy, mission operations, and the latest advancements in space technology.
While members of the Astronaut Reserve are not yet assigned to specific missions, their training ensures that they are prepared for potential future opportunities through commercial spaceflight
The journey continues in the second half of 2025, when the members of ESA’s Astronaut Reserve will return to EAC for the next phase of ART, further building on the skills and knowledge they have gained.
Full-throttle star turns from Jack Black and Jennifer Coolidge raise laughs but don’t help the perfunctory plotting in this screen take on the game franchise
If you’re not familiar with Minecraft as a game then this film, notionally a big screen version of same, won’t necessarily solve that. Minecraft, even more than most computer games, is what you make of it, an experience generated by the player. So in a way, the idea of making a film set in the Minecraft world is counterintuitive, because it can never replicate what is good about Minecraft, it can only tell you what is good about Minecraft. In addition to that, this comedy-fantasy takes aspects of the Minecraft world and uses them as building blocks in a rollicking adventure suitable for almost all ages, giving Jack Black and Jason Momoa carte blanche to wild out and be deeply silly. Your affection for and/or tolerance of this latter prospect will dictate to a large extent your enjoyment of this film.
Black plays Steve, a crafter who in the game was the original default player, although that doesn’t especially matter here. Momoa is Garrett “The Garbage Man” Garrison, a washed-up video game champ with an aesthetic stuck permanently and delightfully in the 1980s: pink leather fringed jacket and luscious locks flowing down past his prodigious shoulders like the first snowmelt off a mountain range. As this is kinda-sorta an ensemble film, we also have Henry (Sebastian Hansen), Natalie (Emma Myers) and Dawn (Danielle Brooks) rounding out the good guys squad. It’s not the fault of any of the three latter actors, but it’s hard for them to make an impression alongside Black and Momoa going full-throttle – and it would become an exhausting experience if they tried. That does mean their storylines feel like downtime, a chance to relax and catch your breath, rather than providing the emotional core that the writers presumably intended.
Continue reading...The ex-member of Brother Beyond now writes chart-toppers for stars. Why has he decided to make a musical of seedy, gutter-life classic Midnight Cowboy, a film he can’t bear?
Troop into Eg White’s living room, past the bright, spacious kitchen and the yapping terriers (“Meet the unwelcoming committee!”), then descend into the snug basement studio with its underfloor heating and you will have reached the place where pop bangers are born: hits for Adele (Chasing Pavements), Will Young (Leave Right Now), Duffy (Warwick Avenue) and countless others. The Ivor Novello award-winning songwriter, born Francis White, sits in front of a desk cluttered with screens and consoles and thingamajigs. In T-shirt, jeans and trainers, he looks as lean as the neck of a Stratocaster. When he is in quizzical mode, as he very often is, four deep grooves appear on his forehead like the strings on a bass guitar.
White’s newest project is the music for a stage version of Midnight Cowboy, the Oscar-winning 1969 buddy movie with Jon Voight and Dustin Hoffman as deluded outsiders adrift in New York, adapted now by Bryony Lavery. Most of its 15 songs – from sanguine ballads to Latin-tinged stompers – were composed not here in White’s west London home but on a family holiday to Colombia. For two hours each morning, while his wife and children were still in bed, he wrote on a cheap baritone ukulele, which he plucks off the wall from between rows of guitars to show me. “You can take it in the hand luggage,” he says cheerfully. “If your kid sits on it, which happened a few times, it lives.” Presumably he means the ukulele, not the kid.
Continue reading...‘Japan is the mecca of cosplay. Monaka runs a cafe in Tokyo called Monster Party, where people go dressed as characters from a subculture known as tanganmen. Her brother is holding a picture of their mum’
My personal projects have often focused on the topic of identity, so the world of cosplay immediately appealed to me. I knew nothing about it until I saw some photographs on Instagram and became interested in these people who spend their free time turning themselves into characters from manga, anime, movies and video games – or even into creations they’ve come up with by themselves.
Italy’s biggest annual cosplay event is held in the region where I live, Tuscany. I started going and taking pictures, just on my phone at first, and that’s where I first approached cosplayers to ask if they’d like to help me with a project I had in mind. In the 1970s, John Olson took some portraits for Life magazine of musicians such as Frank Zappa and Elton John at home with their parents. They contrasted the individual identity of the rock stars and the social identity represented by their parents, and that seemed the right way to photograph cosplayers, too. I thought it was far more interesting to show them in a domestic setting, alongside people in everyday clothes, than in the environment of a fantasy-themed event.
Continue reading...Known for his roles in Kiss Kiss Bang Bang and Tombstone, the prolific actor’s cause of death was pneumonia
Val Kilmer, the actor best known for his roles in Top Gun, Batman Forever and The Doors, has died at the age of 65.
His daughter Mercedes told the New York Times that the cause of death was pneumonia. Kilmer was diagnosed with throat cancer in 2014 and later recovered, after treatment with chemotherapy and trachea surgery that had reduced his ability to speak and breathe.
Continue reading...Kilmer, who has died aged 65, made his name with Top Gun and The Doors – but his exceptional talents were often under-appreciated by the mainstream film industry
Why do some movie careers take off … and others go a bit sideways? Val Kilmer was a smart actor, a looker, a terrific screen presence and in later years an under-appreciated comic performer. His finest hour as an actor came in Shane Black’s comedy action thriller Kiss Kiss Bang Bang in 2005, when he was quite superb as the camp private investigator Gay Perry Shrike: a gloriously sleek, plump performance which was transparently – and outrageously – based on Tom Ford. If only Kilmer could have started his acting life with that bravura performance, and shown the world what he could do. Instead, and at a crucial stage in his career, he was trapped in the body and face of a staggeringly beautiful young man.
He could somehow never quite persuade Hollywood to accept him as a leading man and above-the-title player in the mould of his Top Gun contemporary Tom Cruise, who in 1986 played Pete “Maverick” Mitchell to Val Kilmer’s Tom “Iceman” Kazansky. As the 80s and 90s rolled by, Kilmer never ascended to the league of Cruise, Hanks, Clooney and Pitt. Medication for the illness he latterly suffered can’t have helped, and it is a great sadness that fate never allowed him to mature in the same way as, say, Kurt Russell.
Continue reading...“We had positive ID of him walking into his girlfriend’s building and it’s now collapsed.”
The post The Real Outrage About the Yemen Signal Group Is That It Called for Attack on Civilian Home appeared first on The Intercept.
Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
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