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Elementary Physics Paths
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Driving PSA
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Chasing
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Bloom Filter
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The Papers: Alcohol abuse 'costs £27bn' and 'King's fighting spirit'
Sat, 18 May 2024 05:20:35 GMT
The public cost of alcohol abuse and the King's plans to travel for D-Day tributes lead the papers.
Match ID: 0 Score: 35.00 source: www.bbc.com age: 0 days
qualifiers: 35.00 travel(|ing)
Friday Squid Blogging: Emotional Support Squid
2024-05-17T21:04:39Z
When asked what makes this an “emotional support squid” and not just another stuffed animal, its creator says:
They’re emotional support squid because they’re large, and cuddly, but also cheerfully bright and derpy. They make great neck pillows (and you can fidget with the arms and tentacles) for travelling, and, on a more personal note, when my mum was sick in the hospital I gave her one and she said it brought her “great comfort” to have her squid tucked up beside her and not be a nuisance while she was sleeping.
As usual, you can also use this squid post to talk about the security stories in the news that I haven’t covered...
Mayor calls for show of solidarity against attack after synagogue damaged in blaze amid rising antisemitism in France
French police shot dead a man armed with a knife and an iron bar who set fire to a synagogue in the Normandy city of Rouen on Friday.
The interior minister, Gérald Darmanin, travelling to visit the fire-damaged synagogue, said France was “deeply affected” by what he called an antisemitic act. He said the government was “extremely determined to continue to fully protect Jewish people in France, wherever they are, and Jews should practice their religion without fear”.
Continue reading...Popularity of traditional holiday memento hit by smartphones, ‘rude rock’ and rising price of stamps
A trip to the British seaside may not always have been something to write home about, but these days you might struggle even if you wanted to.
At the Little Gems gift shop in Blackpool town centre, all the usual seaside wares are on display – beach towels, plastic buckets and spades, sticks of rock – but one item is notably missing.
Continue reading...Fossil-fuel dependent country hopes to provide bridge between wealthy global north and poor south at November gathering
Oil is inescapable in Baku, the capital of Azerbaijan. The smell of it greets the visitor on arrival and from the shores of the Caspian Sea on which the city is built the tankers are eternally visible. Flares from refineries near the centre light up the night sky, and you do not have to travel far to see fields of “nodding donkeys”, small piston pump oil wells about 6 metres (20ft) tall, that look almost festive in their bright red and green livery.
It will be an interesting setting for the gathering of the 29th UN climate conference of the parties, which will take place at the Olympic Stadium in November.
Continue reading...The 71-year-old veteran peace activist discusses the war on Gaza, the Biden administration, and shaking up Congress.
The post Code Pink’s Medea Benjamin on Disrupting the U.S. War Machine appeared first on The Intercept.
The 22-year-old woman and her child were civilian casualties of a U.S. drone strike, but the Pentagon won't return the family's messages.
The post Pentagon Compensated Zero Civilian Victims in 2022 — Despite Evidence That the U.S. Killed a Mom and Child in Somalia appeared first on The Intercept.
“We’re continuing to work around the clock with the government of Israel and with the government of Egypt to work on this issue,” the State Department said.
The post American Medical Missions Trapped in Gaza, Facing Death by Dehydration as Population Clings to Life appeared first on The Intercept.
A new anti-terrorism bill would allow the government to take away vital tax exemptions from nonprofit news outlets.
The post Criticizing Israel? Nonprofit Media Could Lose Tax-Exempt Status Without Due Process appeared first on The Intercept.
From biking adventures to city breaks, get inspiration for your next break – whether in the UK or further afield – with twice-weekly emails from the Guardian’s travel editors. You’ll also receive handpicked offers from Guardian Holidays.
From biking adventures to city breaks, get inspiration for your next break – whether in the UK or further afield – with twice-weekly emails from the Guardian’s travel editors.
You’ll also receive handpicked offers from Guardian Holidays.
Continue reading...Cannes film festival
A dying director who fled from the US to Canada agrees to make a confessional film in Schrader’s fragmented and anticlimactic story
Muddled, anticlimactic and often diffidently performed, this oddly passionless new movie from Paul Schrader is a disappointment. It is based on the novel Foregone by Russell Banks (Schrader also adapted Banks’s novel Affliction in 1997) and reunites Schrader with Richard Gere, his star from American Gigolo. Though initially intriguing, it really fails to deliver the emotional revelation or self-knowledge that it appears to be leading up to. There are moments of intensity and promise; with a director of Schrader’s shrewdness and creative alertness, how could there not be? But the movie appears to circle endlessly around its own emotions and ideas without closing in.
The title is partly a reference to the national anthem of that nation, which is a place of freedom and opportunity which may have an almost Rosebud-type significance for the chief character, an avowed draft-resister refugee from the US in the late 60s, who becomes an acclaimed documentary film-maker in his chosen country. Maybe Vietnam was his real reason for fleeing and maybe it wasn’t. This central point is one of many things in this fragmented film which is unsatisfyingly evoked.
Continue reading...Completed days before his assisted death, the French New Wave master director talks through his ideas as illustrated in his hand-drawn scrapbook
Here is an intriguing footnote to Jean-Luc Godard’s extraordinary career - a docu-textual movie collage lasting just under an hour in two parts, or maybe two layers, completed just before his assisted death two years ago in Switzerland at the age of 91. His collaborator and cinematographer Fabrice Aragno calls it not the “last Godard” but a “new Godard”. In its way, this little double film shows us a very great deal about Godard’s working habits, and it’s a late example of Godard speaking intimately in his own person about his own creative process.
Scénarios appears to have grown out of thoughts generated by his last film, The Image Book, which emerged in 2018. Godard sketched out his storyboarded or scrapbooked ideas for a short piece, which would juxtapose images, quotations, musical cues and clips in his distinctive manner. Aragno edited and curated the film from this blueprint, then came back to see Godard and to shoot a brief sequence of the director reciting a text from Sartre to go at the end. This is the first short film we see.
Continue reading...An office drone must suffer the machismo of an Australian coastal town in this barmy, low-budget thriller about a would-be wave-chaser
Here is a gloriously demented B-movie thriller about a middle-aged man who wants to ride a big wave and the grinning local bullies who regard the beach as home soil. “Don’t live here, don’t surf here,” they shout at any luckless tourist who dares to visit picturesque Lunar Bay on Australia’s south-western coast, where the land is heavy with heat and colour. Tempers are fraying; it’s a hundred degrees in the shade. The picture crash-lands at the Cannes film festival like a wild-eyed, brawling drunk.
The middle-aged man is unnamed, so let’s call him Nic Cage. Lorcan Finnegan’s film, after all, is as much about Cage – his image, his career history, his acting pyrotechnics – as it is about surfing or the illusory concept of home. The Surfer sets the star up as a man on the edge – a sad-sack office drone who desperately wants to belong – and then shoves him unceremoniously clear over the cliff-edge. Before long, our hero is living out of his car in the parking lot near the dunes, drinking from puddles, foraging for food from bins, and scheming all the while to make his way down to the shore.
Continue reading...Cannes film festival
A drama of despair plays out in a remote village, as a debt-ridden father is mortified to discover his son is gay
Here is a self-laceratingly painful tale of repression and denial in a remote Romanian village in the Danube delta, directed by Emanuel Parvu. It’s in the gimlet-eyed observational and satirical style of the new Romanian cinema, a kind of movie-making that in extended dialogue scenes seeks out the bland bureaucratic language of the police and church authorities; their evasive mannerisms, their reactionary worldviews and lifelong habits of indicating opinions in quiet voices and in code, things they don’t want to be held responsible for, and for things they want to keep enclosed in silence.
The drama concerns a careworn guy, Dragoi (Bogdan Dumitrache), who owes money to a local tough guy and is badly behind with the debt. Then he discovers that his 17-year-old son Adi (Ciprian Chiujdea), the apple of his eye – whom he is planning to send to military school next year, and whom he fondly imagines to be dating a local girl – has been badly beaten up by the money-lender’s sons. With icy rage, Dragoi takes this to be the man’s unforgivably violent way of demanding his money.
Continue reading...It was like I was trapped in a movie – with a hideous plot twist
I met Eric on a dating app in early 2018 when I was living in New York. He was handsome, talkative and interesting. I was falling for him – but there was something he needed to know. In 2015, I’d been in love with a guy called Mike. On my 30th birthday, my parents threw me a party at their house. Everyone was having a great time until I heard my brother scream Mike’s name. As I ran towards the noise, I saw Mike on the ground by my parents’ pool. He’d slipped into the water and wasn’t breathing. I frantically tried to do CPR on him, but he remained unconscious.
At the hospital, I was told that Mike wouldn’t ever wake up. No one knows how he got hurt. He broke some bones in his back, and had a brain injury, but we don’t know how that happened.
Continue reading...
Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
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