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The 51 Best Movies on Netflix This Week
Fri, 19 Apr 2024 19:00:00 +0000
From Spaceman to Suzume, here are our picks for the best streaming titles to feast your eyes on.
Match ID: 0 Score: 55.00 source: www.wired.com age: 0 days
qualifiers: 35.00 (best|good|great) (show|movie), 20.00 movie
The 47 Best Shows on Netflix Right Now
Fri, 19 Apr 2024 19:00:00 +0000
From 3 Body Problem to Ripley, these are our picks for the best streaming titles to binge this week.
Match ID: 1 Score: 35.00 source: www.wired.com age: 0 days
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The 33 Best Shows on Max (aka HBO Max) Right Now
Thu, 18 Apr 2024 19:00:00 +0000
From The Sympathizer to Conan O’Brien Must Go, here's everything you need to be watching on Max this month.
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Where do we draw the line on using AI in TV and film?
Sat, 20 Apr 2024 07:12:20 GMT
Recent controversies, including Civil War posters and altered photos in a Netflix documentary, have led to concern over the growing use of artificial intelligence on screen
Though last year’s writers’ and actors’ strikes in Hollywood were about myriad factors, fair compensation and residual payments among them, one concern rose far above the others: the encroachment of generative AI – the type that can produce text, images and video – on people’s livelihoods. The use of generative AI in the content we watch, from film to television to large swaths of internet garbage, was a foregone conclusion; Pandora’s box has been opened. But the rallying cry, at the time, was that any protection secured against companies using AI to cut corners was a win, even if only for a three-year contract, as the development, deployment and adoption of this technology will be so swift.
That was no bluster. In the mere months since the writers’ and actors’ guilds made historic deals with the Alliance of Motion Picture and Television Producers (AMPTP), the average social media user has almost certainly encountered AI-generated material, whether they realized it or not. Efforts to curb pornographic AI deepfakes of celebrities have reached the notoriously recalcitrant and obtuse US Congress. The internet is now so rife with misinformation and conspiracies, and the existence of generative AI has so shredded what remained of shared reality, that a Kate Middleton AI deepfake video seemed, to many, a not unreasonable conclusion. (For the record, it was real.) Hollywood executives have already tested OpenAI’s forthcoming text-to-video program Sora, which caused the producer Tyler Perry to halt an $800m expansion of his studios in Atlanta because “jobs are going to be lost”.
Continue reading...From films about Play-Doh and Barbie to the Shrek ‘experience’, consumer capitalism has run out of ideas
When it was announced last week that Margot Robbie will follow up the success of Barbie with a film based on Monopoly, my heart sank, did not pass go, and did not collect £200. Robbie’s production company will partner with Hasbro, just as the Barbie film was an initiative from rival toy company Mattel. Barbie was criticised for being little more than a 114-minute toy ad, but it did so well at the box office – buoyed, significantly, by a $150m marketing budget, which was larger than that spent on making the film – that a glut of similar titles are planned: a Barney film produced by Daniel Kaluuya, a Polly Pocket film written and directed by Lena Dunham, and a film based on the card game Uno. Robbie is also making a film version of The Sims video game, while Hasbro has licensed a Play-Doh feature film, a cinematic adaptation of an inert substance.
Where does it end? Why not make Alpro vegan yoghurt into a series of detective novels? Why not write an opera about the Adidas Predator football boot? Or, for that matter, why not “imagineer” your way to full 360, helicopter-vision integrated brand synergy and make a football boot inspired by Wagner’s Ring cycle, or a Raymond Chandler-themed yoghurt? It is almost as if the gatekeepers of popular culture have completely run out of ideas. All that remains is a kind of infinite consumer ceilidh, where brands line up and take it in turns to partner with one other for 15 minutes of coverage and social media consternation. We’re told that capitalism is all about innovation, disruption and the unbridled individual genius of the human mind. So why do I now turn a corner in London’s West End and half expect to see a billboard for Marmite: The Musical, next to a pop-up shop selling Nespresso x Nike limited edition streetwear?
Dan Hancox is a freelance writer, focusing on music, politics, cities and culture
Continue reading...Amid the internal battle over the New York Times’s coverage of Israel’s war, top editors handed down a set of directives.
The post Leaked NYT Gaza Memo Tells Journalists to Avoid Words “Genocide,” “Ethnic Cleansing,” and “Occupied Territory” appeared first on The Intercept.
Video:
00:29:37
Pablo Álvarez Fernández, one of ESA's five astronaut candidates currently undergoing basic astronaut training at the European Astronaut Centre in Cologne, Germany, shares his experiences in astronaut training, his favourite lessons, and his view on the future of space exploration. Also, stay tuned to hear his favourite space-related quote and movie!
This is Episode 5 of our ESA Explores podcast series introducing the ESA astronaut class of 2022, recorded in November 2023.
Music and audio editing by Denzel Lorge. Cover art by Gaël Nadaud.
Access all ESA Explores podcasts.
Entering a creative challenge set by headline sponsor Mastercard helped build design student Mahari-Rae Ogilvie’s confidence and supercharged her ambitions for the future
Mahari-Rae Ogilvie has always had a passion for the visual arts. From primary school, when her classmates would ask her to do bubble writing for them, through to secondary school, where she excelled in graphic design, Ogilvie always knew she wanted to carve out a creative career. And now, at just 17, she is enjoying her first taste of professional success thanks to the Mastercard creative challenge.
“My mum can’t stop talking about it,” says Ogilvie. “Sometimes it’s hard to explain what we do on my course, but now my family gets it and they think it’s amazing.”
Continue reading...
Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
The state says EMTALA, a law barring discrimination in emergency medical care, interferes with its abortion ban.
The post Idaho Goes to the Supreme Court to Argue That Pregnant People Are Second-Class Citizens appeared first on The Intercept.
In her first statement since a judge dismissed Lehrmann’s defamation action, Higgins also takes swipe at Seven’s Spotlight program
Brittany Higgins says she hopes Justice Michael Lee’s judgment in Bruce Lehrmann’s failed defamation case will set a new precedent for how courts consider the testimonies of victims of sexual assault.
In a statement on Saturday, Higgins also said she was “devastated a rapist was given a nationwide platform to maintain his lies about what happened”. She hoped people who contributed to Channel Seven’s Spotlight program last June, in which Lehrmann was interviewed, “will reflect on their decision”.
Continue reading...They might not be Bette Davis and Joan Crawford, but the X Factor judges’ ding-dong over Simon Cowell is a joy
All weekend and on into Monday, the row between the TV presenter and erstwhile wife of Les Dennis, Amanda Holden, and the managerial powerhouse Sharon Osbourne has been quite something. In brief: on Celebrity Big Brother Sharon slagged off their joint sometime-boss Simon Cowell. Holden then leapt to his defence in a Daily Mail interview, calling Sharon “bitter and pathetic”. Sharon then delivered a two-page diatribe against Holden, listing her many and lucrative achievements long before The X Factor entered her life, much though she enjoyed her judging stint. “Simon paid me very well. Probably more than what you’re receiving today, but all that, my darling, went on a few handbags.”
Continue reading...Recent controversies, including Civil War posters and altered photos in a Netflix documentary, have led to concern over the growing use of artificial intelligence on screen
Though last year’s writers’ and actors’ strikes in Hollywood were about myriad factors, fair compensation and residual payments among them, one concern rose far above the others: the encroachment of generative AI – the type that can produce text, images and video – on people’s livelihoods. The use of generative AI in the content we watch, from film to television to large swaths of internet garbage, was a foregone conclusion; Pandora’s box has been opened. But the rallying cry, at the time, was that any protection secured against companies using AI to cut corners was a win, even if only for a three-year contract, as the development, deployment and adoption of this technology will be so swift.
That was no bluster. In the mere months since the writers’ and actors’ guilds made historic deals with the Alliance of Motion Picture and Television Producers (AMPTP), the average social media user has almost certainly encountered AI-generated material, whether they realized it or not. Efforts to curb pornographic AI deepfakes of celebrities have reached the notoriously recalcitrant and obtuse US Congress. The internet is now so rife with misinformation and conspiracies, and the existence of generative AI has so shredded what remained of shared reality, that a Kate Middleton AI deepfake video seemed, to many, a not unreasonable conclusion. (For the record, it was real.) Hollywood executives have already tested OpenAI’s forthcoming text-to-video program Sora, which caused the producer Tyler Perry to halt an $800m expansion of his studios in Atlanta because “jobs are going to be lost”.
Continue reading...Majority leader Chuck Schumer says approving bill was ‘right thing’ for Democrats and Republicans to do
The US Senate voted late on Friday night to approve the reauthorization of the controversial Fisa surveillance program, narrowly preventing its midnight expiration.
The reauthorization secures what supporters call a key element of the United States’ foreign intelligence-gathering operation.
Continue reading...“Yes I’m a Republican and I exclusively supported John through the Jewish community for his principled actions supporting Israel.”
The post Since October, Sen. John Fetterman Has Been Building a Roster of Republican Donors appeared first on The Intercept.
 | submitted by /u/Nice_Quantity_9257 [link] [comments] |
U.S. military service members interviewed for a congressional inquiry said intelligence reports about how bad the situation is were being suppressed.
The post U.S. Troops in Niger Say They’re “Stranded” and Can’t Get Mail, Medicine appeared first on The Intercept.
The university suspended three students out of hundreds participating in an on-campus encampment to protest the Israeli government.
The post Columbia Suspends Ilhan Omar’s Daughter One Day After Omar Grilled School Administrators appeared first on The Intercept.
Parties appearing before the Supreme Court can fund the groups that file briefs supporting their arguments — and almost never have to disclose it.
The post The Gaping Hole in Supreme Court Rules for Tracking Links Between Litigants and Influence Groups appeared first on The Intercept.
In congressional testimony, school administrators also said they are investigating pro-Israel and pro-Palestine professors.
The post Columbia Suspended Two Students for Assault on Gaza Rally, School Says in Antisemitism Hearing appeared first on The Intercept.
Despite Biden’s pledge to support a two-state solution, cables argue that Palestine should not be granted U.N. member status.
The post Leaked Cables Show White House Opposes Palestinian Statehood appeared first on The Intercept.
Biden campaign co-chair Rep. Veronica Escobar co-led a congressional letter questioning the administration's compliance with its own arms transfer memo.
The post Democrats Question U.S. Claims That Israel Isn’t Violating International Law Using American Weapons appeared first on The Intercept.
Columbia, Vanderbilt, and Pomona College all seriously disciplined students protesting against Israel’s war in Gaza this month.
The post Ahead of Congressional Testimony, Columbia President Cracks Down on Student Advocacy for Palestine appeared first on The Intercept.
New York congressional hopeful John Avlon, a centrist with GOP ties, was endorsed by a party chair widely blamed for losing the House.
The post Remember the Centrists Who Lost the House in 2022? They’re Back! appeared first on The Intercept.
A RAND Corporation study finds that negative experiences in the military are a main cause of veterans turning to extremism.
The post There’s a Bigger Driver of Veteran Radicalization Than Donald Trump appeared first on The Intercept.
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