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Sterilization, Murders, Suicides: Bans Haven’t Slowed Abortions, and They’re Costing Lives
Sun, 26 May 2024 13:00:00 +0000
Is this what the “pro-life” movement wanted?
The post Sterilization, Murders, Suicides: Bans Haven’t Slowed Abortions, and They’re Costing Lives appeared first on The Intercept.
As brutal police repression sweeps campus encampments, schools have been cutting ties with pro-Palestine faculty members without tenure.
The post University Professors Are Losing Their Jobs Over “New McCarthyism” on Gaza appeared first on The Intercept.
Among food, travel, decor and single-use items, parties can create an enormous amount of waste – and weddings are among the most egregious offenders.
For Cindy Villaseñor, 33, that reality just didn’t sit right with her eco-conscious mindset. So when it came time to plan her own wedding, she and her partner agreed to do things differently.
Continue reading...The way to ‘stop the boats’ is to create safe routes of travel. Instead, the Labour leader is obsessed with trying to appear tough
Keir Starmer isn’t interested in “gimmicks”, “talking tough” or, God forbid, protesting. He wants to roll up his sleeves and get things done – on this much he has been clear. Except, that is, for the times when it suits him to indulge in some “gesture politics”. This is especially true for asylum: Labour is headed into the snap July election promising to be tough on the “small boats crisis” and, if Starmer’s speech in Dover earlier this month is anything to go by, its plans are not good.
Gimmicks – the policies behind which could do untold damage – seem to be all Labour has. Starmer swapped Rishi Sunak’s “stop the boats” slogan for “border security”. He invoked the widely peddled myth that the UK, which has an incredibly strict asylum system, is a “soft touch” – suggesting deporting people more quickly would serve as a deterrent. And he promised a new border security command, which seems strangely similar to the small boats operational command. Granted, Labour does not look set to be quite as harsh as the Tories in every respect; Starmer committed to scrapping the Rwanda scheme. But that is the very least it could do, given how unpopular the policy is with the broader public. Look beyond the headline announcements and you find more of what we’ve had for decades – more borders, more brutality, more suffering.
Maya Goodfellow is an academic at City, University of London, and the author of Hostile Environment: How Immigrants Became Scapegoats.
Continue reading...Analysis of real-world data suggests annual cost of fuelling PHEVs is nearly double manufacturers’ claims
Drivers of bestselling plug-in hybrid cars pay £500 a year more on fuel for their cars than manufacturers’ figures suggest, according to analysis of real-world data, largely because owners tend to charge them less frequently than expected.
Laboratory tests of plug-in hybrid electric vehicles (PHEVs) suggest that fuel should cost £560 a year, but real-life data suggests the cost is nearly double that, at £1,059 a year, according to analysis by the Energy and Climate Intelligence Unit (ECIU), a climate research group.
Continue reading...Shot over 15 years between Denmark and Pakistan, the film-maker captures day-to-day life in Karachi, and explores how freedom and human rights are not doled out equally
Shot over the course of 15 years, Anita Mathal Hopland’s documentary provides a cinematic bridge between two countries. Born in Denmark to a Norwegian mother and a Pakistani father, the director lived in Copenhagen yet found herself unmoored between cultures. Camera in hand, Hopland makes several trips to Moosa Lane, the street in Karachi, Pakistan’s largest city, where 25 members of her father’s family share a single dwelling. Through her lens, she lovingly documents the colourful day-to-day lives of her relatives. In the face of diasporic longing, the act of filming embodies a desire to connect and set roots in a world divided by borders.
Focusing on three of her family members, Hopland’s film also observes changing cultural attitudes among Pakistani youths. Readying herself for an arranged marriage, Hopland’s niece Saima is content to follow tradition. Meanwhile, Alishba, who was only two years old when shooting started, has grown into a spirited teen who dreams of pursuing financial and professional independence. A ball of energy, Alishba approaches the dangerous streets and the beautiful open beaches with the same zest for adventure. As Hopland’s camera zigzags between Karachi and Denmark, the montage articulates how the idea of free movement is reserved only for the privileged. Her journeys to Pakistan had always been one-sided, as it was nearly impossible for her relatives to travel to Europe, for economic and visa reasons.
Continue reading...Whether you are taking the DIY route or employing someone more skilled, there are ways to save money
Whether you are DIYing it all yourself or getting tradespeople in, there are ways to cut some of the costs associated with sprucing up your home.
Continue reading...Is this what the “pro-life” movement wanted?
The post Sterilization, Murders, Suicides: Bans Haven’t Slowed Abortions, and They’re Costing Lives appeared first on The Intercept.
New requirements for face scans and fingerprints from 6 October threaten delays at the border
In a land just 20 miles from Britain, people can catch an international train just by buying a ticket and turning up. For Eurostar travellers from London it has never been that simple. But from 6 October, when the EU’s new border regime kicks in, a fresh headache of requirements will apply.
There may be some comfort in Eurostar’s promise that it “won’t be a shitshow”. It has spent a year discussing the precise requirements of the EU entry-exit system (EES), and invested €10m in revamping St Pancras International.
Continue reading...ICC warrants against Israeli officials would mean they can’t travel — and their patrons in the U.S. would be pressured over continued arms sales.
The post Can a U.S. Ally Actually Be Held Accountable for War Crimes in the ICC? appeared first on The Intercept.
When asked what makes this an “emotional support squid” and not just another stuffed animal, its creator says:
They’re emotional support squid because they’re large, and cuddly, but also cheerfully bright and derpy. They make great neck pillows (and you can fidget with the arms and tentacles) for travelling, and, on a more personal note, when my mum was sick in the hospital I gave her one and she said it brought her “great comfort” to have her squid tucked up beside her and not be a nuisance while she was sleeping.
As usual, you can also use this squid post to talk about the security stories in the news that I haven’t covered...
The 71-year-old veteran peace activist discusses the war on Gaza, the Biden administration, and shaking up Congress.
The post Code Pink’s Medea Benjamin on Disrupting the U.S. War Machine appeared first on The Intercept.
From biking adventures to city breaks, get inspiration for your next break – whether in the UK or further afield – with twice-weekly emails from the Guardian’s travel editors. You’ll also receive handpicked offers from Guardian Holidays.
From biking adventures to city breaks, get inspiration for your next break – whether in the UK or further afield – with twice-weekly emails from the Guardian’s travel editors.
You’ll also receive handpicked offers from Guardian Holidays.
Continue reading...
With new chapters in the worlds of Mad Max and Planet of the Apes out now, Guardian writers have picked their favourite big screen franchises to date
When a blockbuster franchise is seven movies in (and counting), and the consensus choice for worst entry was directed by John Woo, arguably the most influential action film-maker of his time, you’re looking at an uncommonly consistent series. Though the Mission: Impossible movies have cycled through many directors – one apiece for Brian De Palma, Woo, JJ Abrams and Brad Bird, before settling on Christopher McQuarrie – the first film, particularly the astounding Langley break-in sequence, established the franchise as a showcase for impeccable crafted set pieces. The plots may be an enjoyably hokey tangle of global threats and clever unmaskings, but the series’ determination to keep topping itself, leaning on the physicality of stunt work and practical effects, has provided reliable thrills for approaching three decades. With each film, Tom Cruise continues to outrun his own mortality and another classic sequence or two is added to the inventory, from Cruise dangling from the Burj Khalifa high-rise during a sandstorm in Ghost Protocol to him zipping off a cliff on a motorcycle in Dead Reckoning Part One. It’s a high-wire act that has yet to tumble off the line. Scott Tobias
Continue reading...It was the year when arthouse brains met Hollywood brawn. But what made the last 12 months of the 90s so special? These films tell the story
In 1999, cinemagoers flocked to watch The Talented Mr Ripley, in which Jude Law smoked cigarettes in a lazily buttoned linen shirt. The same year, they could also watch the actor getting a socket stamped into the base of his spine so he could play a video game. In David Cronenberg’s Existenz, Law’s character is fitted with a gnarly looking “UmbyCord” and hooked up to a creepy, pulsing virtual reality game “pod” that mines his nervous system for data as he plays. While plugged in, the player is unable to take stock of the “real” world outside. “You won’t be able to stop yourself, so you might as well enjoy it,” says the game’s creator, a line that feels spookily resonant today.
I am certainly not the first person to notice that 1999 was a great year for film. At the time, Entertainment Weekly ran a piece with the headline: 1999: The Year That Changed Movies, declaring it the year “all the old, boring rules about cinema started to crumble”. It’s not that films such as The Virgin Suicides, The Sixth Sense and Fight Club are better than everything else that came before or after, but that 1999’s harvest was a bumper crop. That year’s freakish climate saw cross-pollination between Hollywood studios with money and independent-minded film-makers with vision. It was a period that saw cinema creating the culture instead of second-guessing it.
Continue reading...
Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
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