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The Wonderful Wizard of Oz review – a joyful bad-taste romp
Sun, 27 Nov 2022 19:00:03 GMT
Tron theatre, Glasgow
Johnny McKnight’s irreverent and very funny panto is full of local colour and packed with put-downs – though never at the expense of the original film
Hollywood repeats itself, first as musical, second as panto. If you have never imagined Dorothy in drag, well, you have never reckoned on Johnny McKnight, the spangly gold standard of pantomime dames, swapping denim for gingham and following the yellow brick road out of Tronsis. It stretches only as far as the West End of Glasgow but packs in a dust-storm of diversions en route.
Somehow the writer, director and star takes one of cinema’s most sensitive tales and makes it raucous, irreverent and very, very funny. And he does so without mocking the original. In fact the movie is about the only thing that doesn’t get mocked in a show packed with put-downs of everything from rival Christmas shows to Alan Cumming in Burn, not forgetting the dazzling cast themselves. Continue reading...
Match ID: 0 Score: 20.00 source: www.theguardian.com age: 0 days
qualifiers: 20.00 movie
Irene Cara, Oscar-winning singer of hits including ‘Fame,’ dies at 63
Sat, 26 Nov 2022 11:45:55 EST
The Oscar- and Grammy-winning singer and actress was best known for the title tracks of the movies "Fame" and "Flashdance."
Match ID: 1 Score: 20.00 source: www.washingtonpost.com age: 1 day
qualifiers: 20.00 movie
A Criminal Ratted Out His Friend to the FBI. Now He's Trying to Make Amends.
Sat, 26 Nov 2022 12:00:23 +0000
The FBI paid a convicted sex offender $90,000 to set up his friend and his friend’s mentally ill buddy in a terrorism sting.
The post A Criminal Ratted Out His Friend to the FBI. Now He’s Trying to Make Amends. appeared first on The Intercept.
Match ID: 2 Score: 20.00 source: theintercept.com age: 1 day
qualifiers: 20.00 movie
The 15 Best Holiday Movies to Stream This Season: Netflix, Hulu, Amazon, Disney+
Fri, 25 Nov 2022 14:00:00 +0000
Need help navigating all the services to find something good? Here’s what to watch to pass the time—and get into the spirit.
Match ID: 3 Score: 20.00 source: www.wired.com age: 2 days
qualifiers: 20.00 movie
The Revelatory Portraits of Paolo Di Paolo
Fri, 25 Nov 2022 11:00:00 +0000
The new documentary “The Treasure of His Youth,” directed by Bruce Weber, features interviews with the Italian photographer, whose subjects include Anna Magnani.
Match ID: 4 Score: 20.00 source: www.newyorker.com age: 2 days
qualifiers: 20.00 movie
Life in the Movies Versus Real Life
Fri, 25 Nov 2022 11:00:00 +0000
In the movies, Prince Charming will sweep you off your feet. In real life, podcasts have made it so that every man is unbearable.
Match ID: 5 Score: 20.00 source: www.newyorker.com age: 2 days
qualifiers: 20.00 movie
"Tantura" Exposes the Lie at the Heart of Israel's Founding Myth
Fri, 25 Nov 2022 11:00:32 +0000
A new documentary challenges Israel’s narrative about 1948 and the forced displacement of Palestinians.
The post “Tantura” Exposes the Lie at the Heart of Israel’s Founding Myth appeared first on The Intercept.
Match ID: 6 Score: 20.00 source: theintercept.com age: 2 days
qualifiers: 20.00 movie
Thanksgiving Movies Leave a Lot to Be Desired. America Needs a New One—Let's Make It 'Coco'
Thu, 24 Nov 2022 14:00:00 +0000
It's the best all-ages movie in years—and it's ready to stream. Watch it this week with your own cartoonish family.
Match ID: 7 Score: 17.14 source: www.wired.com age: 3 days
qualifiers: 17.14 movie
What “Tár” Knows About the Artist as Abuser
Thu, 24 Nov 2022 11:00:00 +0000
Todd Field’s film about the downfall of a world-famous conductor shows the toll that untouchability takes even on the person it supposedly benefits.
Match ID: 8 Score: 17.14 source: www.newyorker.com age: 3 days
qualifiers: 17.14 movie
Amazon plans to pour $1 billion annually on theater movies
Wed, 23 Nov 2022 19:07:50 GMT
Amazon.com Inc. will spend more than $1 billion annually on 12 to 15 movies that initially play in theaters, according to a Bloomberg report Wednesday. The ambitious outlay, believed to be the most by an internet company on theater-first movies, comes as Amazon dukes it out with video-streaming rivals Walt Disney Co. , Apple Inc. , and Netflix Inc. who are plowing billions of dollars a year to create movie and episodic content. Amazon had no immediate comment.
Market Pulse Stories are Rapid-fire, short news bursts on stocks and markets as they move. Visit MarketWatch.com for more information on this news.
Match ID: 9 Score: 14.29 source: www.marketwatch.com age: 4 days
qualifiers: 14.29 movie
The Stubborn, Enduring Vision of Jean-Marie Straub
Wed, 23 Nov 2022 11:00:00 +0000
He was one of the least known of great filmmakers, and among the most original of his time.
Match ID: 10 Score: 14.29 source: www.newyorker.com age: 4 days
qualifiers: 14.29 movie
10 Things for Americans to Be Grateful for at Thanksgiving 2022
Wed, 23 Nov 2022 11:00:34 +0000
Elon Musk, functioning elections, “Andor,” and death — Americans can genuinely give thanks for all these things and more this holiday.
The post 10 Things for Americans to Be Grateful for at Thanksgiving 2022 appeared first on The Intercept.
Match ID: 11 Score: 14.29 source: theintercept.com age: 4 days
qualifiers: 14.29 movie
How the First Transistor Worked
Sun, 20 Nov 2022 16:00:00 +0000
The vacuum-tube triode wasn’t quite 20 years old when physicists began trying to create its successor, and the stakes were huge. Not only had the triode made long-distance telephony and movie sound possible, it was driving the entire enterprise of commercial radio, an industry worth more than a billion dollars in 1929. But vacuum tubes were power-hungry and fragile. If a more rugged, reliable, and efficient alternative to the triode could be found, the rewards would be immense.
The goal was a three-terminal device made out of semiconductors that would accept a low-current signal into an input terminal and use it to control the flow of a larger current flowing between two other terminals, thereby amplifying the original signal. The underlying principle of such a device would be something called the field effect—the ability of electric fields to modulate the electrical conductivity of semiconductor materials. The field effect was already well known in those days, thanks to diodes and related research on semiconductors.
In the cutaway photo of a point-contact, two thin conductors are visible; these connect to the points that make contact with a tiny slab of germanium. One of these points is the emitter and the other is the collector. A third contact, the base, is attached to the reverse side of the germanium.AT&T ARCHIVES AND HISTORY CENTER
But building such a device had proved an insurmountable challenge to some of the world’s top physicists for more than two decades. Patents for transistor-like devices had been filed
starting in 1925, but the first recorded instance of a working transistor was the legendary point-contact device built at AT&T Bell Telephone Laboratories in the fall of 1947.
Though the point-contact transistor was the most important invention of the 20th century, there exists, surprisingly, no clear, complete, and authoritative account of how the thing actually worked. Modern, more robust junction and planar transistors rely on the physics in the bulk of a semiconductor, rather than the surface effects exploited in the first transistor. And relatively little attention has been paid to this gap in scholarship.
It was an ungainly looking assemblage of germanium, plastic, and gold foil, all topped by a squiggly spring. Its inventors were a soft-spoken Midwestern theoretician, John Bardeen, and a voluble and “
somewhat volatile” experimentalist, Walter Brattain. Both were working under William Shockley, a relationship that would later prove contentious. In November 1947, Bardeen and Brattain were stymied by a simple problem. In the germanium semiconductor they were using, a surface layer of electrons seemed to be blocking an applied electric field, preventing it from penetrating the semiconductor and modulating the flow of current. No modulation, no signal amplification.
Sometime late in 1947 they hit on a solution. It featured two pieces of barely separated gold foil gently pushed by that squiggly spring into the surface of a small slab of germanium.
Textbooks and popular accounts alike tend to ignore the mechanism of the point-contact transistor in favor of explaining how its more recent descendants operate. Indeed, the current edition of that bible of undergraduate EEs,
The Art of Electronics by Horowitz and Hill, makes no mention of the point-contact transistor at all, glossing over its existence by erroneously stating that the junction transistor was a “Nobel Prize-winning invention in 1947.” But the transistor that was invented in 1947 was the point-contact; the junction transistor was invented by Shockley in 1948.
So it seems appropriate somehow that the most comprehensive explanation of the point-contact transistor is contained within
John Bardeen’s lecture for that Nobel Prize, in 1956. Even so, reading it gives you the sense that a few fine details probably eluded even the inventors themselves. “A lot of people were confused by the point-contact transistor,” says Thomas Misa, former director of the Charles Babbage Institute for the History of Science and Technology, at the University of Minnesota.
Textbooks and popular accounts alike tend to ignore the mechanism of the point-contact transistor in favor of explaining how its more recent descendants operate.
A year after Bardeen’s lecture, R. D. Middlebrook, a professor of electrical engineering at Caltech who would go on to do pioneering work in power electronics,
wrote: “Because of the three-dimensional nature of the device, theoretical analysis is difficult and the internal operation is, in fact, not yet completely understood.”
Nevertheless, and with the benefit of 75 years of semiconductor theory, here we go. The point-contact transistor was built around a thumb-size slab of
n-type germanium, which has an excess of negatively charged electrons. This slab was treated to produce a very thin surface layer that was p-type, meaning it had an excess of positive charges. These positive charges are known as holes. They are actually localized deficiencies of electrons that move among the atoms of the semiconductor very much as a real particle would. An electrically grounded electrode was attached to the bottom of this slab, creating the base of the transistor. The two strips of gold foil touching the surface formed two more electrodes, known as the emitter and the collector.
That’s the setup. In operation, a small positive voltage—just a fraction of a volt—is applied to the emitter, while a much larger negative voltage—4 to 40 volts—is applied to the collector, all with reference to the grounded base. The interface between the
p-type layer and the n-type slab created a junction just like the one found in a diode: Essentially, the junction is a barrier that allows current to flow easily in only one direction, toward lower voltage. So current could flow from the positive emitter across the barrier, while no current could flow across that barrier into the collector.
The Western Electric Type-2 point-contact transistor was the first transistor to be manufactured in large quantities, in 1951, at Western Electric’s plant in Allentown, Pa. By 1960, when this photo was taken, the plant had switched to producing junction transistors.AT&T ARCHIVES AND HISTORY CENTER
Now, let’s look at what happens down among the atoms. First, we’ll disconnect the collector and see what happens around the emitter without it. The emitter injects positive charges—holes—into the
p-type layer, and they begin moving toward the base. But they don’t make a beeline toward it. The thin layer forces them to spread out laterally for some distance before passing through the barrier into the n-type slab. Think about slowly pouring a small amount of fine powder onto the surface of water. The powder eventually sinks, but first it spreads out in a rough circle.
Now we connect the collector. Even though it can’t draw current by itself through the barrier of the
p-n junction, its large negative voltage and pointed shape do result in a concentrated electric field that penetrates the germanium. Because the collector is so close to the emitter, and is also negatively charged, it begins sucking up many of the holes that are spreading out from the emitter. This charge flow results in a concentration of holes near the p-n barrier underneath the collector. This concentration effectively lowers the “height” of the barrier that would otherwise prevent current from flowing between the collector and the base. With the barrier lowered, current starts flowing from the base into the collector—much more current than what the emitter is putting into the transistor.
The amount of current depends on the height of the barrier. Small decreases or increases in the emitter’s voltage cause the barrier to fluctuate up and down, respectively. Thus very small changes in the the emitter current control very large changes at the collector, so voilà! Amplification. (EEs will notice that the functions of base and emitter are reversed compared with those in later transistors, where the base, not the emitter, controls the response of the transistor.)
Ungainly and fragile though it was, it
was a semiconductor amplifier, and its progeny would change the world. And its inventors knew it. The fateful day was 16 December 1947, when Brattain hit on the idea of using a plastic triangle belted by a strip of gold foil, with that tiny slit separating the emitter and collector contacts. This configuration gave reliable power gain, and the duo knew then that they had succeeded. In his carpool home that night, Brattain told his companions he’d just done “the most important experiment that I’d ever do in my life” and swore them to secrecy. The taciturn Bardeen, too, couldn’t resist sharing the news. As his wife, Jane, prepared dinner that night, he reportedly said, simply, “We discovered something today.” With their children scampering around the kitchen, she responded, “That’s nice, dear.”
It was a transistor, at last, but it was pretty rickety. The inventors later hit on the idea of electrically forming the collector by passing large currents through it during the transistor’s manufacturing. This technique enabled them to get somewhat larger current flows that weren’t so tightly confined within the surface layer. The electrical forming was a bit hit-or-miss, though. “They would just throw out the ones that didn’t work,” Misa notes.
point-contact transistors went into production at many companies, under license to AT&T, and, in 1951, at AT&T’s own manufacturing arm, Western Electric. They were used in hearing aids, oscillators, telephone-routing gear, in an experimental TV receiver built at RCA, and in the Tradic, the first airborne digital computer, among other systems. In fact, point-contact transistors remained in production until 1966, in part due to their superior speed compared with the alternatives.
The fateful day was 16 December 1947, when Brattain hit on the idea of using a plastic triangle belted by a strip of gold foil…
The Bell Labs group wasn’t alone in its successful pursuit of a transistor. In Aulnay-sous-Bois, a suburb northeast of Paris, two German physicists, Herbert Mataré and Heinrich Welker, were also trying to build a three-terminal semiconductor amplifier. Working for a French subsidiary of Westinghouse, they were following up on very
intriguing observations Mataré had made while developing germanium and silicon rectifiers for the German military in 1944. The two succeeded in creating a reliable point-contact transistor in June 1948.
They were astounded, a week or so later, when Bell Labs finally revealed the news of its own transistor, at a press conference on 30 June 1948. Though they were developed completely independently, and in secret, the two devices were more or less identical.
Here the story of the transistor takes a weird turn, breathtaking in its brilliance and also disturbing in its details. Bardeen’s and Brattain’s boss,
William Shockley, was furious that his name was not included with Bardeen’s and Brattain’s on the original patent application for the transistor. He was convinced that Bardeen and Brattain had merely spun his theories about using fields in semiconductors into their working device, and had failed to give him sufficient credit. Yet in 1945, Shockley had built a transistor based on those very theories, and it hadn’t worked.
In 1953, RCA engineer Gerald Herzog led a team that designed and built the first "all-transistor" television (although, yes, it had a cathode-ray tube). The team used point-contact transistors produced by RCA under a license from Bell Labs. TRANSISTOR MUSEUM JERRY HERZOG ORAL HISTORY
At the end of December, barely two weeks after the initial success of the point-contact transistor, Shockley traveled to Chicago for the annual meeting of the American Physical Society. On New Year’s Eve, holed up in his hotel room and fueled by a potent mix of jealousy and indignation, he began designing a transistor of his own. In three days he scribbled
some 30 pages of notes. By the end of the month, he had the basic design for what would become known as the bipolar junction transistor, or BJT, which would eventually supersede the point-contact transistor and reign as the dominant transistor until the late 1970s.
With insights gleaned from the Bell Labs work, RCA began developing its own point-contact transistors in 1948. The group included the seven shown here—four of which were used in RCA's experimental, 22-transistor television set built in 1953. These four were the TA153 [top row, second from left], the TA165 [top, far right], the TA156 [bottom row, middle] and the TA172 [bottom, right].TRANSISTOR MUSEUM JONATHAN HOPPE COLLECTION
The BJT was based on Shockley’s conviction that charges could, and should, flow through the bulk semiconductors rather than through a thin layer on their surface. The
device consisted of three semiconductor layers, like a sandwich: an emitter, a base in the middle, and a collector. They were alternately doped, so there were two versions: n-type/p-type/n-type, called “NPN,” and p-type/n-type/p-type, called “PNP.”
The BJT relies on essentially the same principles as the point-contact, but it uses two
p-n junctions instead of one. When used as an amplifier, a positive voltage applied to the base allows a small current to flow between it and the emitter, which in turn controls a large current between the collector and emitter.
Consider an NPN device. The base is
p-type, so it has excess holes. But it is very thin and lightly doped, so there are relatively few holes. A tiny fraction of the electrons flowing in combines with these holes and are removed from circulation, while the vast majority (more than 97 percent) of electrons keep flowing through the thin base and into the collector, setting up a strong current flow.
But those few electrons that do combine with holes must be drained from the base in order to maintain the
p-type nature of the base and the strong flow of current through it. That removal of the “trapped” electrons is accomplished by a relatively small flow of current through the base. That trickle of current enables the much stronger flow of current into the collector, and then out of the collector and into the collector circuit. So, in effect, the small base current is controlling the larger collector circuit.
Electric fields come into play, but they do not modulate the current flow, which the early theoreticians thought would have to happen for such a device to function. Here’s the gist: Both of the
p-n junctions in a BJT are straddled by depletion regions, in which electrons and holes combine and there are relatively few mobile charge carriers. Voltage applied across the junctions sets up electric fields at each, which push charges across those regions. These fields enable electrons to flow all the way from the emitter, across the base, and into the collector.
In the BJT, “the applied electric fields affect the carrier density, but because that effect is exponential, it only takes a little bit to create a lot of diffusion current,” explains Ioannis “John” Kymissis, chair of the department of electrical engineering at Columbia University.
The BJT was more rugged and reliable than the point-contact transistor, and those features primed it for greatness. But it took a while for that to become obvious. The BJT was the technology used to make integrated circuits, from the first ones in the early 1960s all the way until the late 1970s, when metal-oxide-semiconductor field-effect transistors (MOSFETs) took over. In fact, it was these field-effect transistors, first the junction field-effect transistor and then MOSFETs, that finally realized the decades-old dream of a three-terminal semiconductor device whose operation was based on the field effect—Shockley’s original ambition.
Such a glorious future could scarcely be imagined in the early 1950s, when AT&T and others were struggling to come up with practical and efficient ways to manufacture the new BJTs. Shockley himself went on to literally put the silicon into Silicon Valley. He moved to Palo Alto and in 1956 founded a company that led the switch from germanium to silicon as the electronic semiconductor of choice. Employees from his company would go on to found Fairchild Semiconductor, and then Intel.
Later in his life, after losing his company because of his terrible management, he became a professor at Stanford and began promulgating ungrounded and unhinged theories about race, genetics, and intelligence. In 1951 Bardeen left Bell Labs to become a professor at the University of Illinois at Urbana-Champaign, where he won a second Nobel Prize for physics, for a theory of superconductivity. (He is the only person to have won two Nobel Prizes in physics.) Brattain stayed at Bell Labs until 1967, when he joined the faculty at Whitman College, in Walla Walla, Wash.
Shockley died a largely friendless pariah in 1989. But his transistor would change the world, though it was still not clear as late as 1953 that the BJT would be the future. In an interview that year,
Donald G. Fink, who would go on to help establish the IEEE a decade later, mused, “Is it a pimpled adolescent, now awkward, but promising future vigor? Or has it arrived at maturity, full of languor, surrounded by disappointments?”
It was the former, and all of our lives are so much the better because of it.
This article appears in the December 2022 print issue as “The First Transistor and How it Worked .”
Match ID: 12 Score: 5.71 source: spectrum.ieee.org age: 7 days
qualifiers: 5.71 movie
The Stereotype of the Woke Teen Is 'Tárring' Art
Wed, 16 Nov 2022 14:00:00 +0000
An archetype culled from the depths of social media seems to be short-circuiting screenwriters’ creativity.
Match ID: 13 Score: 2.86 source: www.wired.com age: 11 days
qualifiers: 2.86 movie
Celebrating the Art of Code
Tue, 15 Nov 2022 17:32:36 +0000
We use software as an engine to power and move our digital world. We create software from code—that is, special languages that we can read and write, and that determine what computers and digital technologies actually do. Writing code is an art, a creative human activity undertaken by both individuals and by teams, and using sophisticated tools. The code that people create can be art in another sense also: For those who are familiar with these special languages, they can see beauty within them, much as we all can appreciate the design of a stunning garden or public park.
The Computer History Museum invites you to accompany us for a yearlong tour through our “Art of Code” exhibition, which will provide many opportunities to explore remarkable stories, events, and historical source-code releases. We will hear from experts and luminaries about how software is created and the important consequences it has for society. We will explore firsthand the source code behind major developments in computing. And we will engage in discussions about critical issues today and their relationship to code.
This cassette contains the Apple II’s DOS source code, which CHM released in 2013.Computer History Museum
What’s in store during CHM’s Art of Code
In September, we kicked off the Art of Code by marking the 50th anniversary of the breakthrough software language and environment Smalltalk. Smalltalk embraced a fresh, modular, and dynamic approach to the art of code called object-oriented programming. It was also a major step in the use of computers by children. The reverberations of each are still felt today. You can watch the full program of our Smalltalk event here and read a blog recap here.
Children animating horses in Smalltalk-72 on an Alto computer. In 2020, CHM began hosting the Smalltalk Zoo, a collection of historical versions of Smalltalk from 1972 to 1995 in an in-browser emulation.PARC Library
In October, we celebrated this year’s new CHM Fellows, who all have made remarkable contributions to the art of code, including Smalltalk, the pathbreaking Plato system of online communities, learning, and collaboration, and the development of the Internet itself. Watch the full program here and read a blog recap here.
We will announce other events for the Art of Code throughout the coming year.
Ken Thompson [seated] and Dennis Ritchie work with a DEC PDP-11, to which they migrated the UNIX software in 1971. In 2019, CHM released the source code for the earliest version of UNIX.Computer History Museum
Upcoming source code releases: PostScript, Apple Lisa
For programmers, developers, coders, and other students of code, Art of Code will have a remarkable series of historical source-code releases over the coming year. We will begin with the public release of the source code for PostScript, the innovative software behind printing as we know it, the rise of Adobe, and PDF. Closely following will be CHM’s public release of the source code for the Apple Lisa computer, a remarkably influential project by Apple that did so much to bring the graphical user interface and “What You See Is What You Get” approaches into personal computing.
This set of floppy disks contains Microsoft’s MS-DOS 2.0. In 2010, CHM released the source code for MS-DOS 1.1 and 2.0.Computer History Museum
Later in the year, look for events and offerings marking the 50th anniversaries of some of the pathbreaking developments in networked personal computing at Xerox PARC: the revolutionary Xerox Alto system and the era-defining network technology of Ethernet. CHM will also be releasing a digital archive of PARC’s extraordinary historical contributions, including source code, documents, images, and more.
Please join the Computer History Museum for this Art of Code journey by signing up here for news and updates, and begin your own journey through our Art of Code resources by watching this movie, exploring this playlist of CHM’s historical source-code releases, and visiting Make Software, Change the World! in person and online.
Editor's note: This post originally appeared on the blog of the Computer History Museum.
Match ID: 14 Score: 2.86 source: spectrum.ieee.org age: 12 days
qualifiers: 2.86 movie
NASA’s DART Mission Aims to Save the World
Fri, 23 Sep 2022 15:52:53 +0000
Armageddon ruined everything. Armageddon—the 1998 movie, not the mythical battlefield—told the story of an asteroid headed straight for Earth, and a bunch of swaggering roughnecks sent in space shuttles to blow it up with a nuclear weapon.
“Armageddon is big and noisy and stupid and shameless, and it’s going to be huge at the box office,” wrote Jay Carr of the Boston Globe.
Carr was right—the film was the year’s second biggest hit (after Titanic)—and ever since, scientists have had to explain, patiently, that cluttering space with radioactive debris may not be the best way to protect ourselves. NASA is now trying a slightly less dramatic approach with a robotic mission called DART—short for Double Asteroid Redirection Test. On Monday at 7:14 p.m. EDT, if all goes well, the little spacecraft will crash into an asteroid called Dimorphos, about 11 million kilometers from Earth. Dimorphos is about 160 meters across, and orbits a 780-meter asteroid, 65803 Didymos. NASA TV plans to cover it live.
DART’s end will be violent, but not blockbuster-movie-violent. Music won’t swell and girlfriends back on Earth won’t swoon. Mission managers hope the spacecraft, with a mass of about 600 kilograms, hitting at 22,000 km/h, will nudge the asteroid slightly in its orbit, just enough to prove that it’s technologically possible in case a future asteroid has Earth in its crosshairs.
“Maybe once a century or so, there’ll be an asteroid sizeable enough that we’d like to certainly know, ahead of time, if it was going to impact,” says Lindley Johnson, who has the title of planetary defense officer at NASA.
“If you just take a hair off the orbital velocity, you’ve changed the orbit of the asteroid so that what would have been impact three or four years down the road is now a complete miss.”
So take that, Hollywood! If DART succeeds, it will show there are better fuels to protect Earth than testosterone.
The risk of a comet or asteroid that wipes out civilization is really very small, but large enough that policymakers take it seriously. NASA, ordered by the U.S. Congress in 2005 to scan the inner solar system for hazards, has found nearly 900 so-called NEOs—near-Earth objects—at least a kilometer across, more than 95 percent of all in that size range that probably exist. It has plotted their orbits far into the future, and none of them stand more than a fraction of a percent chance of hitting Earth in this millennium.
The DART spacecraft should crash into the asteroid Dimorphos and slow it in its orbit around the larger asteroid Didymos. The LICIACube cubesat will fly in formation to take images of the impact.Johns Hopkins APL/NASA
But there are smaller NEOs, perhaps 140 meters or more in diameter, too small to end civilization but large enough to cause mass destruction if they hit a populated area. There may be 25,000 that come within 50 million km of Earth’s orbit, and NASA estimates telescopes have only found about 40 percent of them. That’s why scientists want to expand the search for them and have good ways to deal with them if necessary. DART is the first test.
NASA takes pains to say this is a low-risk mission. Didymos and Dimorphos never cross Earth’s orbit, and computer simulations show that no matter where or how hard DART hits, it cannot possibly divert either one enough to put Earth in danger. Scientists want to see if DART can alter Dimorphos’s speed by perhaps a few centimeters per second.
The DART spacecraft, a 1-meter cube with two long solar panels, is elegantly simple, equipped with a telescope called DRACO, hydrazine maneuvering thrusters, a xenon-fueled ion engine and a navigation system called SMART Nav. It was launched by a SpaceX rocket in November. About 4 hours and 90,000 km before the hoped-for impact, SMART Nav will take over control of the spacecraft, using optical images from the telescope. Didymos, the larger object, should be a point of light by then; Dimorphos, the intended target, will probably not appear as more than one pixel until about 50 minutes before impact. DART will send one image per second back to Earth, but the spacecraft is autonomous; signals from the ground, 38 light-seconds away, would be useless for steering as the ship races in.
The DART spacecraft separated from its SpaceX Falcon 9 launch vehicle, 55 minutes after liftoff from Vandenberg Space Force Base, in California, 24 November 2021. In this image from the rocket, the spacecraft had not yet unfurled its solar panels.NASA
What’s more, nobody knows the shape or consistency of little Dimorphos. Is it a solid boulder or a loose cluster of rubble? Is it smooth or craggy, round or elongated? “We’re trying to hit the center,” says Evan Smith, the deputy mission systems engineer at the Johns Hopkins Applied Physics Laboratory, which is running DART. “We don’t want to overcorrect for some mountain or crater on one side that’s throwing an odd shadow or something.”
So on final approach, DART will cover 800 km without any steering. Thruster firings could blur the last images of Dimorphos’s surface, which scientists want to study. Impact should be imaged from about 50 km away by an Italian-made minisatellite, called LICIACube, which DART released two weeks ago.
“In the minutes following impact, I know everybody is going be high fiving on the engineering side,” said Tom Statler, DART’s program scientist at NASA, “but I’m going be imagining all the cool stuff that is actually going on on the asteroid, with a crater being dug and ejecta being blasted off.”
There is, of course, a possibility that DART will miss, in which case there should be enough fuel on board to allow engineers to go after a backup target. But an advantage of the Didymos-Dimorphos pair is that it should help in calculating how much effect the impact had. Telescopes on Earth (plus the Hubble and Webb space telescopes) may struggle to measure infinitesimal changes in the orbit of Dimorphos around the sun; it should be easier to see how much its orbit around Didymos is affected. The simplest measurement may be of the changing brightness of the double asteroid, as Dimorphos moves in front of or behind its partner, perhaps more quickly or slowly than it did before impact.
“We are moving an asteroid,” said Statler. “We are changing the motion of a natural celestial body in space. Humanity’s never done that before.”
Match ID: 15 Score: 2.86 source: spectrum.ieee.org age: 65 days
qualifiers: 2.86 movie
Most Frequently Asked Questions About NFTs(Non-Fungible Tokens)
Sun, 06 Feb 2022 10:04:00 +0000
Non-fungible tokens (NFTs) are the most popular digital assets today, capturing the attention of cryptocurrency investors, whales and people from around the world. People find it amazing that some users spend thousands or millions of dollars on a single NFT-based image of a monkey or other token, but you can simply take a screenshot for free. So here we share some freuently asked question about NFTs.
1) What is an NFT?
NFT stands for non-fungible token, which is a cryptographic token on a blockchain with unique identification codes that distinguish it from other tokens. NFTs are unique and not interchangeable, which means no two NFTs are the same. NFTs can be a unique artwork, GIF, Images, videos, Audio album. in-game items, collectibles etc.
2) What is Blockchain?
A blockchain is a distributed digital ledger that allows for the secure storage of data. By recording any kind of information—such as bank account transactions, the ownership of Non-Fungible Tokens (NFTs), or Decentralized Finance (DeFi) smart contracts—in one place, and distributing it to many different computers, blockchains ensure that data can’t be manipulated without everyone in the system being aware.
3) What makes an NFT valuable?
The value of an NFT comes from its ability to be traded freely and securely on the blockchain, which is not possible with other current digital ownership solutionsThe NFT points to its location on the blockchain, but doesn’t necessarily contain the digital property. For example, if you replace one bitcoin with another, you will still have the same thing. If you buy a non-fungible item, such as a movie ticket, it is impossible to replace it with any other movie ticket because each ticket is unique to a specific time and place.
4) How do NFTs work?
One of the unique characteristics of non-fungible tokens (NFTs) is that they can be tokenised to create a digital certificate of ownership that can be bought, sold and traded on the blockchain.
As with crypto-currency, records of who owns what are stored on a ledger that is maintained by thousands of computers around the world. These records can’t be forged because the whole system operates on an open-source network.
NFTs also contain smart contracts—small computer programs that run on the blockchain—that give the artist, for example, a cut of any future sale of the token.
5) What’s the connection between NFTs and cryptocurrency?
Non-fungible tokens (NFTs) aren't cryptocurrencies, but they do use blockchain technology. Many NFTs are based on Ethereum, where the blockchain serves as a ledger for all the transactions related to said NFT and the properties it represents.5) How to make an NFT?
Anyone can create an NFT. All you need is a digital wallet, some ethereum tokens and a connection to an NFT marketplace where you’ll be able to upload and sell your creations
6) How to validate the authencity of an NFT?
When you purchase a stock in NFT, that purchase is recorded on the blockchain—the bitcoin ledger of transactions—and that entry acts as your proof of ownership.
7) How is an NFT valued? What are the most expensive NFTs?
The value of an NFT varies a lot based on the digital asset up for grabs. People use NFTs to trade and sell digital art, so when creating an NFT, you should consider the popularity of your digital artwork along with historical statistics.
In the year 2021, a digital artist called Pak created an artwork called The Merge. It was sold on the Nifty Gateway NFT market for $91.8 million.
8) Can NFTs be used as an investment?
Non-fungible tokens can be used in investment opportunities. One can purchase an NFT and resell it at a profit. Certain NFT marketplaces let sellers of NFTs keep a percentage of the profits from sales of the assets they create.
9) Will NFTs be the future of art and collectibles?
Many people want to buy NFTs because it lets them support the arts and own something cool from their favorite musicians, brands, and celebrities. NFTs also give artists an opportunity to program in continual royalties if someone buys their work. Galleries see this as a way to reach new buyers interested in art.
10) How do we buy an NFTs?
There are many places to buy digital assets, like opensea and their policies vary. On top shot, for instance, you sign up for a waitlist that can be thousands of people long. When a digital asset goes on sale, you are occasionally chosen to purchase it.
11) Can i mint NFT for free?
To mint an NFT token, you must pay some amount of gas fee to process the transaction on the Etherum blockchain, but you can mint your NFT on a different blockchain called Polygon to avoid paying gas fees. This option is available on OpenSea and this simply denotes that your NFT will only be able to trade using Polygon's blockchain and not Etherum's blockchain. Mintable allows you to mint NFTs for free without paying any gas fees.
12) Do i own an NFT if i screenshot it?
The answer is no. Non-Fungible Tokens are minted on the blockchain using cryptocurrencies such as Etherum, Solana, Polygon, and so on. Once a Non-Fungible Token is minted, the transaction is recorded on the blockchain and the contract or license is awarded to whoever has that Non-Fungible Token in their wallet.
12) Why are people investing so much in NFT?
Non-fungible tokens have gained the hearts of people around the world, and they have given digital creators the recognition they deserve. One of the remarkable things about non-fungible tokens is that you can take a screenshot of one, but you don’t own it. This is because when a non-fungible token is created, then the transaction is stored on the blockchain, and the license or contract to hold such a token is awarded to the person owning the token in their digital wallet.
You can sell your work and creations by attaching a license to it on the blockchain, where its ownership can be transferred. This lets you get exposure without losing full ownership of your work. Some of the most successful projects include Cryptopunks, Bored Ape Yatch Club NFTs, SandBox, World of Women and so on. These NFT projects have gained popularity globally and are owned by celebrities and other successful entrepreneurs. Owning one of these NFTs gives you an automatic ticket to exclusive business meetings and life-changing connections.
That’s a wrap. Hope you guys found this article enlightening. I just answer some question with my limited knowledge about NFTs. If you have any questions or suggestions, feel free to drop them in the comment section below. Also I have a question for you, Is bitcoin an NFTs? let me know in The comment section below
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